Monthly archives:

Margate… “a town as cool as it gets”

Roundabout has touched down in Margate and we thought, who better to give us the lowdown on what to see and do around town than the inimitable Joseph Brown of Margate Retro? Here, Joe takes us on a whimsical walk around town, painting a vivid picture of magical Margate that has us itching to go exploring.


I’ll take it away from here.

Here’s a few photo favourites above for your Margate imagination…


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There’s a lot appearing in the ‘Gate, with the new show Risk about to appear at The Mothership (or Turner Gallery for the uninitiated…)

Leaving the Grayson Perry still present in the mind of gallery go-ers, the renaissance or that over used ‘regeneration’ word clearly in evidence, culture led regeneration proven across the world, clearly in Margate it’s happening on the double (see the commanding yard stick above).

Team Margate is hitting big with a wide number of heavyweight creative types having a go on the Platform Margate that they stand out loud on. Aspirations raised amongst the indigenous people who I count myself amongst.

I could have a rant about some of the more vacuous elements that appear, yet refuse to lower my standards to a few of the art world classes. It’s still a great adventure welcoming new arrivals of people from across the nation, Europe even.

Who can blame them, nationwide beard men and women taking the gateway into the South East and them London salaries grabbed by a less than two hour train ride.

Snapping up a drum of their own in a town as cool as it gets, for less than a price of capital rents (who cares about the 5% commuter ticket price rise in this situation?).

The smart traveller takes a coach to Margate for the day for £20 or £220 a month for regular riders .

What’s new at Hantverk & Found next door to me has proven the proposal, chef Kate quick on her feet from Shoreditch (somewhere in London…). Fine seafood available.

Clearly not being one to deal in boring London-centricity, the East Kent coast enjoys its fine beaches and Bruges or Ghent in less of a VW camper ride than Manchester. As much as I love Manchester, Ghent is nearer.

Enough spin, furthering the champions cause of Margate’s recovery, the Lifeboat pub you previously took a few libations in* is joined by at least four others doing a similar thing.

Harbour Arms Sunday night is an addition to the weekend and better than the two boozy nights before it .

Seeing a creative crowd mingling with a local pub crowd is fairly utopian, as is the old town still, swapping goat skins for labour and a quality chair for 70 cups of tea is still the practice.

Despite seeing 70 shops open and close, within the old town, in a four year period it seems sustainability is upon us.

The holiday apartments have gone from a Valium popping home of a crazy man named Jim Moody, to a unique place to stay with jukebox, space invaders, the lot. All on King Street, an atmospheric street with a pulse and vibrant operators and clearly a community that borders on an open air theatre.

Leaving train travellers in more of a spin if that’s possible after they’ve jumped off a train walked arm in arm along a golden beach into a gallery of mind bending art to be met by a man in a brown shop coat saying ‘Welcome to Margate’.

Welcome to Margate.

To King St and Dreamland.

I’m off to eat before the 9pm show at the Winter Gardens, return the radio contact for more Margate reflection.


Joseph Brown of Margate Retro, at your service.

* That’s Team PP he’s referring to, partial as we are both to a trip to Margate and the odd libation.

Thanks Joe, you legend. Make sure y’all check out the incredible MARGATE RETRO and follow Joe on Twitter @margateretro.

Hello from Nadia


I’ve been at Paines Plough for about 2 months now so I thought it was about time I said a big hello to everyone…HELLO! I’m Nadia and I am the new trainee director from Birkbeck. In our second year, we get put on placement at a theatre somewhere around the country, we apply and if successful get to spend up to 9 months working with amazing playhouses and theatre companies…and I really do think I’ve hit the jackpot working with Paines Plough.

My first assist was with Stef O’Driscoll, PP’s associate director, on Sabrina Mahfouz’s WITH A LITTLE BIT OF LUCK, which premiered at Latitude festival. As a Latitude virgin I was glad to be in the safe hands of the PP team. But more importantly it was my first hedonistic leap into what PP was about. And aside from being probably the friendliest people I’ve ever met, my god do they care about theatre and all those involved.

Ok, I may be slightly biased here, seeing as though they took me under their wing and made me feel very much at home, but I also like to pay heed to people outside PPHQ and in Edinburgh this year, I gave a helping hand to the running of Roundabout. I was so proud to sickeningly gush about how great PP was, and rather then it being a one sided conversation, audience members responded by gushing back! It was great, and so inspiring to a young theatre maker.

But it was in my most recent conversation with George Perrin, as we discussed PP’s style of programming, when all that I had learnt over the past 2 months fell into place. I was about to jump on a train to Leeds to see EVERY BRILLIANT THING and George said that rather then holding up a mirror to the world to show the disarray and discontent, PP wants to provide hope and a feeling that there is greatness out there, even amongst the more tiresome of times. As a young theatre maker, angst was always my go to. Get people rattled by showing them how crap everything was. But I had come to realise that by being around people that care so much, are friendly, approachable and willing to demystify this wonderful world of theatre, the angst was just adding to the discontent around us. And that if we can spread a little bit of hope out into the world through theatre, for example, then maybe a change is a-coming. Maybe that’s the way to get people to engage with theatre, and with the people and issues around them.

I took someone to see EVERY BRILLIANT THING in Leeds last night, someone who isn’t really interested in theatre, someone who would probably find theatre quite cheesy, someone who probably would have preferred to watch the Arsenal match and the first thing he said to me as we walked out the door was – ‘I feel warm inside’. We walked out of the theatre in the highest of spirits. What George had said to me earlier that day rang in my ears – I couldn’t help but think that by making theatre which showed real people and how they find hope rather than wallow in how rubbish everything is, my night was inherently better.

We’re off to… Kendal

Today our ROUNDABOUT arrives in Kendal with THE HUMAN EAR, LUNGS, OUR TEACHER’S A TROLL and EVERY BRILLIANT THING in tow. The team are super excited to be visiting so we asked our friends at the Brewery Arts Centre for their list of brilliant things to see and do while we’re around…


The Castle Green Hotel, Castle Green Lane, Kendal, LA9 6RG.©

Kendal’s only 4 star hotel. The grounds are beautiful and it includes a separate real ale pub and fine dining restaurant so you can relax with a pint or do something a little special. There’s something for everyone.


The Brewery, Grainstore Restaurant, 122a Highgate, Kendal, LA9 4HE.Grainstore Restaurant

Serving a Mediterranean menu featuring tasty tapas menu with a quirky twist using local ingredients and pizzas. Situated in the Brewery complex, it’s a great spot to enjoy a bite before the show.


The Brewery, Vats Bar, 122a Highgate, Kendal, LA9 4HE.Vats Bar

Settle into one of the Brewery’s original brewing Vats and enjoy a fantastic selection of local real ales, beers and wines. Super cosy and casual it’s a great spot to relax and unwind.


The Brewery, Warehouse Cafe, 122a Highgate, Kendal, LA9 4HE.Warehouse CAfe

Shabby chic café featuring a homemade cakes, pies, crepes, snacks and local Farrer’s coffees and teas. Treat yourself! There’s also free WiFi available so you can Instagram your treats and make your friends jealous.


Abbot Hall Park.

Lucky for us, it’s just across the road from the Brewery. A lovely green open space by the River Kent surrounded by trees and historic buildings and with a nearby children’s playground. Ideal if you’re bringing the little ‘uns to see OUR TEACHER’S A TROLL.


You can’t miss Kendal Castle.

Standing atop a hill overlooking the town, it’s a spectacular ruined castle and the reputed home of Catherine Parr (one of Henry the VIII’s wives). The perfect place for panoramic views of Kendal and the surrounding fells.

If you’re coming to see a show, why don’t you check out some of these spots too?

Now to find some mint cake to take back to PPHQ…

ROUNDABOUT Reviews and Responses

ROUNDABOUT is currently weaving its way across the country and this week we’ve popped up in Lincoln where our partners and good friends LPAC have programmed a fantastic festival of local talent alongside performances of LUNGS, THE HUMAN EAR and OUR TEACHER’S A TROLL.

We’ve been absolutely bowled over by your responses to ROUNDABOUT and our shows so a big hearty thank you to everyone who has already joined us and come to see a show – we’ve loved meeting you and keeping an eye on our Twitter to see what you’ve been saying! Here’s a little snapshot of our favourite responses…


#RoundaboutPP is, in my opinion, exactly how theatre should be. A small space filled with nothing but great actors, acting their socks off.” (@SarahJCullum)

“I love that #roundaboutpp is able to go into communities without theatres. Vital work. @painesplough“(@shakespeareanLK)

And here’s just a selection of what Edinburgh’s critics and audiences have had to say about the shows…


“Fast paced and incredibly slick.” ★★★★★ (The Public Reviews)

“Thanks for a great hour of laughter and fun @painesplough #OurTeachersATroll fantastic venue #RoundaboutPP @edfringe” (@jcnewton90)

“Infectious from the off.” ★★★★ (BroadwayBaby)


 “Stunning to watch.”★★★★★ (BroadwayBaby)

#TheHumanEar at #RoundaboutPP was unsettling and complex, yet another @painesplough success. @Reese_Williams absolutely riveting as always” (@Lisa_Varty)

“Reverberates quietly long after it’s over.”★★★★ (The Guardian)

“Dazzling technical tour-de-force… astonishing.” ★★★★ (The Scotsman)  


“Simple yet profoundly moving… it is one of the best plays I have seen all year.”★★★★★ (West End Frame)

“Highlight from yesterday had to be #LungsPlay at #RoundaboutPP @painesplough Hilarious and heartbreaking in the same breath!” (@michaelwoodhall)

“What a beautiful creation @painesplough #lungsplay thank you. Think you just broke my heart @edfringe Wonderful performances x” (@AngharadLee)


“Powerfully, stunningly, joyfully uplifting – you’ll be rushing off to start your own list too.” ★★★★★ (The Skinny)


“the new @painesplough roundabout venue @Summerhallery is awesome and #everybrilliantthing defies description. MUST SEE!” (@markagorman)

You can catch ROUNDABOUT on the road until October 18th at the Brewery Arts Centre in Kendal, Theatre Royal Margate and Appetite, Stoke.

For more information and to buy tickets, click here.

See you in ROUNDABOUT soon.

Roundabout Prototype FAQs

Hello everyone,

We’re thrilled our Prototype giveaway has fired so many imaginations and prompted so many expressions of interest. We’ve been overwhelmed by the response. So overwhelmed in fact that we’re going to struggle to respond to you all individually straight away, such is the volume of emails.

So for now we thought we’d direct you here so we could answer the most common questions in one go, we hope you don’t mind.

How much does it cost?

Nothing. We don’t want any money for it. We’re giving it away free to good homes. But there will be associated costs…

What are the associated costs?

All the following costs are estimates only, offered as a guide. You will need to cover the load from our store into a 40ft trailer (£400) and transport (£400 – £800 depending on where you are in the UK). You will need to hire a specialist crew of eight at £12-£15 pp p/h for the fit up at your venue plus our production manager (£500 + travel, accommodation and per diems) to include transport booking, organising truck load, assessing fit up site, updating relevant health & safety documentation, advising on crew and one day fit up. You will need a specialist carpenter present at the fit up (£250) and a hired skip (£200). Plus contingency.

Do I need a license?

The prototype is classified as seating so as long as it sits within a venue with an existing entertainment license there should be no further costs associated with licensing. If you do not have an entertainment license you will need to apply for one via your local council and there will be costs associated with that.

What are the dimensions of the structure?

12m diameter, 5m high. You will require a further 1.2m around the structure as a legal requirement for emergency exit routes. So you will need a minimum space of 14.2m² and clearance of 6m to the grid. The performance space is 4.6m diameter.

Do you have technical drawings?

Yes, you can download them here:

Use the ‘Roundabout Prototype Plans’ link from the ‘Links and Downloads’ section on the right of the page.

How much space does it take up when stored?

It fills a 40ft trailer to the rim.

How much does it cost to store?

It’s about £75 per week to store it on a 40ft trailer.

How much does it weigh?

Approximately three tonnes.

Is it waterproof?

No. So it will need to sit inside an existing structure or at very least a tent.

Why are we doing this?

We now have our state-of-the-art, fully portable, pop-up Roundabout out on the road. So we no longer have a use for the prototype which we built back in 2011 to test the concept and the architecture before building the real thing. But the prototype remains a beautifully designed, highly engineered auditorium. We want it to go to good homes so it can be enjoyed by audiences and artists. We were only able to build Roundabout thanks to the belief and generous financial support of many wonderful Trusts & Foundations and individuals so we want to pass on some of that goodwill by lending the prototype to people who can give it a future life to benefit more people.

What else will I need?

You’ll have to provide proof of public liability insurance for the period of time the prototype is in your custody. We’ll insure the installation and removal, either end.

How long can I have it for?

If you could use the auditorium for part of the year, perhaps others could use it the rest of the time, and you could share the costs between you. It’s also possible you could have the auditorium for a couple of years or take it off our hands altogether. Once we’ve been in touch with everyone individually, we’ll work out if there is obvious home or convenient pattern amongst many interested parties and go from there.

What happens next?

If you’re still interested having read all the above and you have a concrete plan for the prototype and the means to absorb the associated costs, please could you send us an expression of interest that includes the following information:

– Your name

– Your organisation

– Where you’re based

– What’s your plan for the prototype (a really brief outline, just the salient points, we don’t want to make this hard work)?

– Who will benefit?

– How long you want it for and when you want it.

– How you’re meeting the associated costs.

– Anything else important you might want to tell us.

Please send your expression of interest to with Prototype as the subject line by 4pm on Friday 2 October 2015.

How will we decide who gets it?

Oh gosh, we’re not sure yet, we’ve been rather taken aback by the level of interest. We’ll gather all the expressions of interest on Friday 2 October and we’ll try to make a decision by Friday 16 October. It’s not a competition – we’d love all of you to have it, you’d all make great use of it. But as there’s only one prototype we’ll just have to bite the bullet and choose its new home(s) on the basis of where we think it can make the biggest difference or benefit people the most. It will be a really hard decision, but we’ll try to make it a good decision.

Thanks for reading. And thanks so much for your interest. We’re so excited the prototype will have new life.

More questions? If there’s anything we haven’t answered here please email with ‘Prototype question’ as the subject line and we’ll try to get back to you as soon as possible.

Arts Council backing for Roundabout

High fives at PPHQ with the news that Arts Council England’s Strategic Touring Programme will invest £784,052 in the future of Roundabout.


This is really exciting news for us because it means that we’ll be able to deliver festivals of brand new work in Roundabout every year for the next three years and develop and expand our already exciting partnerships in Barnsley, Margate, Lincoln, Kendal, Cornwall, Stoke-on-Trent and Salford right through to 2018.

Our aim is for Roundabout to become a creative hub everywhere it visits showcasing top notch new plays from PP alongside locally produced and curated festivals tailored to each community – engaging audiences while giving a platform to local talent.

Here’s what our ADs James & George had to say:

“We are indebted to Arts Council England for the belief and support evidenced by this investment from the Strategic Touring Programme. This enables us to further realise the potential of Roundabout to offer people across the UK access to the best new theatre. We look forward to working with key partners including Margate Theatre Royal, Lincoln Performing Arts Centre and Brewery Arts Centre Kendal to invite local people to curate and take part in festivals of new work in Roundabout in their home towns.”

Roundabout launched as the centerpiece of our 40th anniversary programme in 2014 thanks to the generous support of principal funder Andrew Lloyd Webber Foundation along with J Paul Getty Jr Charitable Trust, John Ellerman Foundation and Garfield Weston Foundation.  This funding from the Arts Council will help us pop-up all over England and ensures that the Roundabout will form an integral part of future Paines Plough’s programmes.


We love being out on the road, sharing our shows with audiences far and wide, and we’re super chuffed that we’ll be able to continue doing that in Roundabout. Thanks to everyone at Arts Council England for their belief and support, and thanks to all of you for your enthusiasm for Roundabout.

We’ll be popping up in a town near you soon…

Anyone want a theatre?


Remember this? It’s our prototype Roundabout auditorium which we built to test the concept before we built the real thing. You will have sat in the prototype if you came to see our Roundabout seasons at Sheffield Theatres in 2011 or Shoreditch Town Hall in 2012.

It’s just sitting there in our store and we wondered whether anyone out there might want to put it to good use?

The prototype is essentially a scale model of our Roundabout auditorium. It’s made of steel and wood and seats 138 people completely in the round. It was never intended to tour so it doesn’t do any of the clever flat pack stuff and of course there’s no roof so no inbuilt lighting or sound.

But even though we’ve upgraded to a newer model, the prototype remains a very cool structure and it seems a terrible shame not to use it.

If you think you could resurrect the prototype and put it to use, give us a shout, we’d love to hear from you.


Open Auditions at The Lowry, Salford

Paines Plough Open Auditions
Thursday 17 September 2015
The Lowry, Pier 8, Salford Quays M50 3AZ
10am – 6pm

We’re really excited to be holding our next round of open auditions at The Lowry, Salford. Roundabout pitches up at The Lowry as part of its national tour from 15 – 20 September.

We are looking to meet actors based in the Salford/Manchester area previously unknown to Paines Plough and our next meeting will be held on Thursday 17 September. We will see 60 actors (30 pairs), and these slots will be allocated on a first-come-first-served basis.

If you would like to be seen, please do the following:

– Find yourself a partner – we are auditioning people in pairs.
– Apply by sending ONE email with BOTH of your names to
– Please put OPEN AUDITIONS @ THE LOWRY in the Subject line.
– Do not send CVs, biogs or headshots as you can bring these with you on the day.
– If you are selected to audition, we will email you back by Wednesday 2 September with an audition time.
– If you are not selected to audition, we will keep you on a waiting list and may offer you an audition if a slot becomes available.
– Once we have confirmed your time, please prepare a 3 minute piece of dialogue in your pair from a play written in the last 15 years.

Please note:

– If you have auditioned at our previous Open Auditions, we will not be able to see you this time round.
– We do not accept applications from agents. If you have an agent, you must still apply yourself using your own email address.
– Places are all allocated in advance. You will not be able to request a different time, and we will be unable to see people on a walk-up basis.
– We will retain a waiting list and will notify you if you are on this waiting list.
– If you are allotted a time but for any reason cannot make the appointment please let us know ASAP by emailing If you fail to turn up to your allotted slot without letting us know in advance, you will not be able to audition at future Paines Plough Open Auditions.
– We will not accept any emails sent to any email address other than
– Due to the large volume of people we are seeing, we will not be able to offer feedback.
– We are not casting for a particular show at the moment – we just want to meet some new actors so that we can have you in mind for future productions.

For more information, please download our FAQs.

Best wishes,

George, James and all at Paines Plough

The story behind FINDING HOME

FINDING HOME is Cecilia Knapp’s spoken word theatre coming-of-age story that maps the journey of a young girl from Brighton to the tenements of East London as a 20 ¬something. This Sunday 23rd at 10am she will perform it in ROUNDABOUT as part of our EARLIER/LATER programme. Here she tells us a little about the journey behind her brilliant show…


Somewhere in the sky over Algeria that I realised how far I’d come. From sitting on my friend Maria’s sofa in Walthamstow drinking wine from the petrol station and starting to write my story, to that moment, up there in the air.

I’ve been writing spoken word poetry for the last 5 years and performing around London and the UK. I write about life and experience. I write as a way to deal with things. One day, I started to write about a bike ride I’d had along the canal in Tower Hamlets on the way to a depressing pub job I had for a year whilst I was at university. What I thought was going to be a standard 3 minute poem soon began to turn into something very different and I started writing the story of my life, a series of flashbacks experienced whilst cycling down that canal. I wrote about relationships, friendships, place, family and the loss of my Brother 3 years ago. I realised I was writing a one woman spoken word theatre piece.


After a year, some Arts Council funding, a lot of red pen and rehearsal and the acquirement of an incredible creative team, I was on the way to Johannesburg to perform my one woman show Finding Home. I’d be performing it at Rise up and Walk Festival, an international youth arts festival which ran for three days at Joberg theatre and featured everything from dance to stand up, hip hop to feminist theatre. And my little show. My story of growing up in Brighton in a single parent household with my Dad, of moving to London, of love, loss and reconciliation.


As I stepped off the plane, and out into arrivals, I couldn’t help but feel  completely overwhelmed that writing had brought me to this point. What followed over the next week was a series of exchanges and conversations with some of the most interesting, compassionate and talented people I have ever met. Fellow artists at the festival shared my conviction in the need for creative expression and passion for the arts. We spoke about how it should be everyone’s imperative to enable young people to participate in creativity no matter what their background or circumstance. It was affirming and mobilising to share these ideas with people who lived on a different continent to me. On the second day of my trip, we drove out to the largest township in Johannesburg, Soweto, to run a workshop with local young people. We shared ideas, questions we wanted to ask society and our individual stories. We learnt from each other in sharing each other’s truths and experiences and writing together.

Finding Home is my coming of age story. But beyond my background, circumstance and location, it is a story about learning to love yourself in spite of how hard life can make things for you. It’s about finding home within yourself and I think that no matter where you’re from, that idea is universal. I spoke about this with my new friends and fellow writers and performers in South Africa and about the power that stories have. How in telling your story, you are opening up the door for empathy, understanding and discovery. How stories allow us to transcend and explore each other’s lives. How they help you make sense of the world. My trip to Johannesburg confirmed this. And that’s why I wanted to write Finding Home. To reconcile my past in the hope that others will look into it to and see parallels of their own lives. That there’ll be some hope to find within it.


I want my story to reach as many people as possible. Last week it was in Johannesburg, and this week it’s back in the UK, this time at the majestic Edinburgh Fringe, where, in a similar way to Rise up and Walk Festival, artists come together and share their creative contributions to the world. Where they express and collaborate and comment and change the world through art. I can’t quite believe that when I sat on that sofa in Walthamstow over a year ago and put pen to paper, what would come out was this piece of work. That it has already taken me so far. But it was a story I felt needed to be told. So, I’m going to need some people to hear it. I’ll be at Paines Plough’s venue The Roundabout in Summerhall this Sunday 23rd August at 10am and I’d love to share my story with you. Grab a coffee and come and settle in. Fellow writer and performer Jack Rooke will also be sharing some of his one man show Good Grief afterwards which has received very deserved 5 star reviews and has just been nominated for an Total Theatre Award. Jack confronts and explores grief and the loss of his Father in a brave, innovative and refreshing way. It’s funny and beautiful and important. So come down and see us both. I’d say that’s a pretty lush way to spend a morning. See you there.

earlier later v38


FINDING HOME on in Roundabout @ Summerhall, 23rd August at 10am. It is directed by Paines Plough Associate Director Stef O’Driscoll, produced by Liz Counsell and was developed with support from the Roundhouse and Rich Mix.


ROUNDABOUT @ Summerhall 2015

Screen Shot 2014-09-04 at 16.25.13

We’ve barely had time to unpack our rucksacks after the sunshine and sing-alongs of Latitude but we’re preparing to pack again as we head up to bonny Scotland for the Edinburgh Festival Fringe.

From 6-30 August our plug-and-play theatre ROUNDABOUT will be popped-up at Summerhall where you can catch the world première of THE HUMAN EAR from Fringe First award-winning writer Alexandra Wood plus OUR TEACHER’S A TROLL by Dennis Kelly, LUNGS and EVERY BRILLIANT THING by Duncan Macmillan.

We’re thrilled to be welcoming some of the UK’s most exciting companies and artists to the ROUNDABOUT @ Summerhall programme this year including Theatre Uncut, Jonny & The Baptists, Papermash, Tricycle Theatre, Soho Theatre, Dancing Brick, Eastern Angles, Unity Theatre Liverpool and some chap called Daniel Kitson. Plus our daily EARLIER / LATER slots will showcase daring, new and one-off shows and events from the likes of The Royal Court, Josie Long, Luke Wright, The Roundhouse and many more.

Roundabout… it’s THE place to be this Edfringe.

ROUNDABOUT @ Summerhall Programme 2015…

Paines Plough and Half Moon present
by Dennis Kelly
Time 11:00  Dates Aug 6-10, 12-17, 19-23

Two terrible twins with a talent for turmoil rule their school with terror and tyranny, until the arrival of a new head teacher with green scaly skin, sharp fangs and a long spiky tail… Can the twins save the school from the child-eating Troll? Can they get Brussels sprouts in peanut butter taken off the menu? And most importantly, can naughtiness prevail? Be outrageously entertained in this colourfully comic show from the writer of West End hit, Matilda the Musical. For ages 7+ and their accompanying trolls (or parents). “Comic perfection” ★★★★ (The Times).


Paines Plough presents
by Duncan Macmillan
Time 15:35/22:30  Dates Aug 7, 9, 12, 14, 16, 19, 21, 23-30

‘I could fly to New York and back every day for seven years and still not leave a carbon footprint as big as if I have a child. Ten thousand tonnes of CO2. That’s the weight of the Eiffel Tower. I’d be giving birth to the Eiffel Tower.’ In a time of global anxiety, erratic weather and political unrest, a couple want a child but are running out of time. What will be the first to destruct – the planet or their relationship?
“The most beautiful, shattering play of the year” ★★★★★ (Sunday Express).


Paines Plough and Pentabus Theatre Company present
by Duncan Macmillan
Time 14:05  Dates Aug 8-10, 12-17, 19-24, 26-30

You’re six years old. Mum’s in hospital. Dad says she’s ‘done something stupid’. She finds it hard to be happy. So you start to make a list of everything that’s brilliant about the world. Everything worth living for. 1. Ice cream. 2. Kung fu movies. 3. Burning things. 4. Laughing so hard you shoot milk out your nose. 5. Construction cranes. 6. Me. A play about depression and the lengths we go to for those we love.
“Heart-wrenching, hilarious … possibly one of the funniest plays you’ll ever see” ★★★★ (Guardian).


Paines Plough presents the World Premiere of
by Alexandra Wood
Time 15:35  Dates Aug 6, 8, 10, 13, 15, 17, 20, 22, 24, 26, 28, 30

A man turns up at Lucy’s door claiming to be the brother she hasn’t seen in 10 years. But why has he come? Is it really him? And what happens when there’s another knock at the door? Forced to confront the messy inner workings of sibling love with its petty resentments, casual cruelty, profound betrayals and implicit understanding, can the bond between brother and sister be rebuilt? An intriguing tale of loss, renewal and knowing who to trust from Fringe First Award winner Alexandra Wood.


Eastern Angles in association with Unity Theatre Liverpool present
by Molly Davies
Time 17:05  Dates Aug 7-10, 12-17, 19-24, 26-30

chicken (343x343)

Eastern Angles and Unity Theatre, Liverpool present Chicken, a darkly comic new play by Molly Davies. Set in a dystopian future where people from the North and South are alienated from one another, London sits above the chaos as a sovereign state. Davies, whose previous credits include A Miracle and God Bless The Child (Royal Court), Shooting Truth (National Theatre Connections) and Orpheus & Eurydice (NYT/Old Vic Tunnels), has created a wonderfully twisted world where communities collide, families are fractured and the agricultural idyll is distorted beyond recognition.


Papermash Theatre and Tricycle Theatre present
by Sonia Jalaly
Time 21:10  Dates Aug 7-10, 12-17, 19-24, 26-30

Fringe Image HBWY FINAL 343by343

A hilarious, award-winning one-woman comedy with lipstick, slapstick, and a whole lot of Shirley Bassey. Violet Fox is a live and visual spoken word vegan solo artist and occasional collaborator. Today is a celebration of every birthday. And you’re invited. In ‘Happy Birthday Without You’ Violet tells the story of her complicated relationship with her mega diva mother. Bring beer and bunting and come on a journey through her childhood of pop tarts, Patti Smith and second hand smoke.

* Warning: people usually cry.


Dancing Brick and Soho Theatre present
by Thomas Eccleshare
Time 18:25  Dates Aug 7-17, 19-24, 26-30


On top of a mountain in the middle of a blizzard, you see a figure: eight foot tall, with white matted hair covering his body. He stands upright on two legs. You see him. He sees you. But who will believe you and how far can you trust what you see?

Thomas Eccleshare’s stunning new drama is the story of a scientist with an unbelievable story to tell, a woman who doesn’t know what to believe.

In a vibrant collaboration between Dancing Brick and Soho Theatre, Steve Marmion directs this spellbinding play starring Valentina Ceschi.


19:50  Dates Aug 7-17, 19-24, 26-30

JONNY & THE BAPTISTS - THE END IS NIGH - Ed Fringe image - 343x343px

Last year, Jonny accidentally told his four-year-old niece that climate change would end the world. To stop her crying, he and Paddy promised to fix it. They really did try very hard…

A brand new show from the multi-award-nominated stars of Radio 4’s The Now Show and Infinite Monkey Cage.

“Politically engaged… raucously silly.” (Guardian)
“Riotous rock’n’ROFLing.” (Independent on Sunday)
“The political edge of 80s alternative comedy… a pop-soul voice to win X Factor.” ★★★★ (Stewart Lee, Observer)
“A triumph… if you’re looking for a fun time, the Baptists will deliver.” (Chortle)


POLYPHONY by Daniel Kitson
Time 12:15  Dates Aug 7-10, 12-17, 19-24, 26-30

Show Image

I have written a Play – a real humdinger.

It has a pretty epic scope, a relatively staggering vision and somewhere in the region of twenty characters.

Each of which has been performed and recorded in isolation, producing a litany of individual voices – each of them perfect, captured as a single track that will, when played back in precise unison, form a glorious theatrical polyphony.

The play is perfect.

The recordings are perfect.

I just need enough people to hit play.

That’s all.


10:00  Dates Aug 24-30

Theatre Uncut scissors-1


Multi award-winning Theatre Uncut has been at the forefront of political new writing for the past 4 years. Now we present the best of Theatre Uncut in one sitting, followed by our signature post-show debates. See six of our catalogue of political short plays by leading writers including Dennis Kelly, Neil LaBute, Clara Brennan, Stef Smith and more. Tackling current issues of austerity, education & democracy these acerbic, witty, punchy and always challenging plays bring our audience to the conversation like no other theatre company.


Paines Plough and friends present
Times 10:00 & 22:30  Dates Aug 8-29 (check for daily listings)

earlier later v38

A series of early morning and late night one-off shows: theatre, poetry, comedy, music, rumbles, shenanigans and much more in Roundabout throughout the Edinburgh Festival Fringe.

Get your fix of fresh new work, exhilarating debates and rip-roaring performances. Kick start your morning and round-up your evening in Roundabout – “the loveliest venue at the fringe” (The List, 2014).


So what do you think of ROUNDABOUT @ Summerhall 2015? Who catches your eye? Let us know and follow us @painesplough – you never know what other surprises we might have up our sleeves #RoundaboutPP.

See you there.