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THEATRE UNCUT in Roundabout

Working on projects for Theatre Uncut is always a joy, but this year we have two reasons to be especially cheerful…  We are absolutely delighted to be part of the Paines Plough ROUNDABOUT season at Edinburgh this year.  ROUNDABOUT is a special venue, and one that reflects the ethos of Theatre Uncut to an uncanny degree. Equitable, open, quick to assemble but with a long lasting effect: this is all very like we hope to be. But more than that ROUNDABOUT’s ability to be put up anywhere, to function as a beautiful theatre space anywhere it chooses, to reach un-expecting and unexpected audiences is a joy and a wonder.

TU blog pic

Our second reason to be cheerful is that in this, the approach to our fifth year, in the year of the general election, we are in a reflective mood and are staging some of our most downloaded scripts.  This means that as Artistic Directors, we’ve had the chance to revisit scripts we’ve loved and directed before. It’s a wonderful feeling to come back to an excellent script: it’s both an echo and a discovery. As time marches forward the scripts inevitably change resonance. What’s extraordinary about our writers is quite how immediate the scripts still are. And what writers we have: Clara Brennan’s ‘Hi Vis’ is from our first year, and holds all the visceral energy of that time. Exploring the affects of cuts to the disability mobility allowance with the help of a clown and a vibrator, it is hilarious and moving, a gem of a script. Also from year 1, is Dennis Kelly’s ‘Things That Make No Sense’, a dystopian nightmare that asks are we really ‘all in this together’? From Year two we have Neil LaBute at his controversial best examining Occupy and the 1% in ‘In the Beginning’.  Vivienne Franzmann’s ‘The Most Horrific’ is from 2014, and brilliantly skewers the media and how we consume stories, climaxing in a throaty call to arms. From our TU: Istanbul collection Stef Smith gives us an insight into the Gezi Park protests and the dented democracy in Turkey through the eyes of three very different young women. Lastly, from our Scottish Referendum scripts, comes Kieran Hurley’s brilliant ‘Close': a piece that asks us to consider democracy in all its disappointments and challenges us: ‘what now?’

And what now indeed? As we head out of Cameron’s first 100 days as Prime Minister of a Tory government- what now? As we see the country decide if Labour should head back to its left wing roots or stick to its ‘middle’ ground- what now? What now for Theatre Uncut and for all of us? The question is out there. Come and join us and answer it with us. Do that online, or in one of our post show discussions. We will keep asking, and looking for change. If there is one thing these scripts show, is that change happens whatever we do, so let’s be the architects of it.

Theatre Uncut: In Opposition runs in ROUNDABOUT @ SUMMERHALL at 10am every day until August 30th.


#RoundaboutPP Social Media Call

Calling all bloggers, tweeters, instagrammers, social media conversation starters and digital trendsetters…

#RoundaboutPP social media call
Thursday 6 August 2015 / 12:00
Roundabout @ Summerhall, Edinburgh EH9 1PL

If you write or talk about theatre online, this is the event for you. It’s a chance to take a tour of our groundbreaking, award-winning pop-up theatre, hear about our programme of shows and events, and meet Team PP and the people behind the shows at #RoundaboutPP this Fringe.

Bring your camera, smartphone, flipcam, and thumbs to blog, take photos and video. Live tweet or fire questions at anyone from producers to stage management to artistic directors. Anything goes – it’s a chance for you to see behind the scenes and get some exclusive content.

Here’s the schedule…

1200/     Team PP welcome you to #RoundaboutPP with a goody bag.

1210/     James & George introduce the Roundabout programme 2015.

1215/     A chance to explore Roundabout and take photos and video.

1225/     Son et lumiere. Otherwise known as a sound and light show. We’ll give you a peek at the tricks we can do in Roundabout with our state-of-the-art technology.

1230/     Team PP and some of our visiting companies will be hanging out in the Summerhall courtyard and will be on hand for interviews or to answer any questions you may have.

Everyone attending our social media call will also be offered a complimentary ticket to see OUR TEACHER’S A TROLL by Dennis Kelly immediately beforehand. The show starts at 11am and runs for 45 minutes.

If you would like a space please contact with your name and a link to your website, blog or wherever you cover theatre online. Please include your Twitter handle so we can follow you. Let us know if you would also like a ticket to TROLL. We’ll be back in touch to confirm your place. Spaces are limited so get in quick – we hope to accommodate as many of you as possible.

Any questions, hit us up @painesplough.

We very much hope you can join us.

Team PP x

ROUNDABOUT @ Summerhall 2015

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We’ve barely had time to unpack our rucksacks after the sunshine and sing-alongs of Latitude but we’re preparing to pack again as we head up to bonny Scotland for the Edinburgh Festival Fringe.

From 6-30 August our plug-and-play theatre ROUNDABOUT will be popped-up at Summerhall where you can catch the world première of THE HUMAN EAR from Fringe First award-winning writer Alexandra Wood plus OUR TEACHER’S A TROLL by Dennis Kelly, LUNGS and EVERY BRILLIANT THING by Duncan Macmillan.

We’re thrilled to be welcoming some of the UK’s most exciting companies and artists to the ROUNDABOUT @ Summerhall programme this year including Theatre Uncut, Jonny & The Baptists, Papermash, Tricycle Theatre, Soho Theatre, Dancing Brick, Eastern Angles, Unity Theatre Liverpool and some chap called Daniel Kitson. Plus our daily EARLIER / LATER slots will showcase daring, new and one-off shows and events from the likes of The Royal Court, Josie Long, Luke Wright, The Roundhouse and many more.

Roundabout… it’s THE place to be this Edfringe.

ROUNDABOUT @ Summerhall Programme 2015…

Paines Plough and Half Moon present
by Dennis Kelly
Time 11:00  Dates Aug 6-10, 12-17, 19-23

Two terrible twins with a talent for turmoil rule their school with terror and tyranny, until the arrival of a new head teacher with green scaly skin, sharp fangs and a long spiky tail… Can the twins save the school from the child-eating Troll? Can they get Brussels sprouts in peanut butter taken off the menu? And most importantly, can naughtiness prevail? Be outrageously entertained in this colourfully comic show from the writer of West End hit, Matilda the Musical. For ages 7+ and their accompanying trolls (or parents). “Comic perfection” ★★★★ (The Times).


Paines Plough presents
by Duncan Macmillan
Time 15:35/22:30  Dates Aug 7, 9, 12, 14, 16, 19, 21, 23-30

‘I could fly to New York and back every day for seven years and still not leave a carbon footprint as big as if I have a child. Ten thousand tonnes of CO2. That’s the weight of the Eiffel Tower. I’d be giving birth to the Eiffel Tower.’ In a time of global anxiety, erratic weather and political unrest, a couple want a child but are running out of time. What will be the first to destruct – the planet or their relationship?
“The most beautiful, shattering play of the year” ★★★★★ (Sunday Express).


Paines Plough and Pentabus Theatre Company present
by Duncan Macmillan
Time 14:05  Dates Aug 8-10, 12-17, 19-24, 26-30

You’re six years old. Mum’s in hospital. Dad says she’s ‘done something stupid’. She finds it hard to be happy. So you start to make a list of everything that’s brilliant about the world. Everything worth living for. 1. Ice cream. 2. Kung fu movies. 3. Burning things. 4. Laughing so hard you shoot milk out your nose. 5. Construction cranes. 6. Me. A play about depression and the lengths we go to for those we love.
“Heart-wrenching, hilarious … possibly one of the funniest plays you’ll ever see” ★★★★ (Guardian).


Paines Plough presents the World Premiere of
by Alexandra Wood
Time 15:35  Dates Aug 6, 8, 10, 13, 15, 17, 20, 22, 24, 26, 28, 30

A man turns up at Lucy’s door claiming to be the brother she hasn’t seen in 10 years. But why has he come? Is it really him? And what happens when there’s another knock at the door? Forced to confront the messy inner workings of sibling love with its petty resentments, casual cruelty, profound betrayals and implicit understanding, can the bond between brother and sister be rebuilt? An intriguing tale of loss, renewal and knowing who to trust from Fringe First Award winner Alexandra Wood.


Eastern Angles in association with Unity Theatre Liverpool present
by Molly Davies
Time 17:05  Dates Aug 7-10, 12-17, 19-24, 26-30

chicken (343x343)

Eastern Angles and Unity Theatre, Liverpool present Chicken, a darkly comic new play by Molly Davies. Set in a dystopian future where people from the North and South are alienated from one another, London sits above the chaos as a sovereign state. Davies, whose previous credits include A Miracle and God Bless The Child (Royal Court), Shooting Truth (National Theatre Connections) and Orpheus & Eurydice (NYT/Old Vic Tunnels), has created a wonderfully twisted world where communities collide, families are fractured and the agricultural idyll is distorted beyond recognition.


Papermash Theatre and Tricycle Theatre present
by Sonia Jalaly
Time 21:10  Dates Aug 7-10, 12-17, 19-24, 26-30

Fringe Image HBWY FINAL 343by343

A hilarious, award-winning one-woman comedy with lipstick, slapstick, and a whole lot of Shirley Bassey. Violet Fox is a live and visual spoken word vegan solo artist and occasional collaborator. Today is a celebration of every birthday. And you’re invited. In ‘Happy Birthday Without You’ Violet tells the story of her complicated relationship with her mega diva mother. Bring beer and bunting and come on a journey through her childhood of pop tarts, Patti Smith and second hand smoke.

* Warning: people usually cry.


Dancing Brick and Soho Theatre present
by Thomas Eccleshare
Time 18:25  Dates Aug 7-17, 19-24, 26-30


On top of a mountain in the middle of a blizzard, you see a figure: eight foot tall, with white matted hair covering his body. He stands upright on two legs. You see him. He sees you. But who will believe you and how far can you trust what you see?

Thomas Eccleshare’s stunning new drama is the story of a scientist with an unbelievable story to tell, a woman who doesn’t know what to believe.

In a vibrant collaboration between Dancing Brick and Soho Theatre, Steve Marmion directs this spellbinding play starring Valentina Ceschi.


19:50  Dates Aug 7-17, 19-24, 26-30

JONNY & THE BAPTISTS - THE END IS NIGH - Ed Fringe image - 343x343px

Last year, Jonny accidentally told his four-year-old niece that climate change would end the world. To stop her crying, he and Paddy promised to fix it. They really did try very hard…

A brand new show from the multi-award-nominated stars of Radio 4’s The Now Show and Infinite Monkey Cage.

“Politically engaged… raucously silly.” (Guardian)
“Riotous rock’n’ROFLing.” (Independent on Sunday)
“The political edge of 80s alternative comedy… a pop-soul voice to win X Factor.” ★★★★ (Stewart Lee, Observer)
“A triumph… if you’re looking for a fun time, the Baptists will deliver.” (Chortle)


POLYPHONY by Daniel Kitson
Time 12:15  Dates Aug 7-10, 12-17, 19-24, 26-30

Show Image

I have written a Play – a real humdinger.

It has a pretty epic scope, a relatively staggering vision and somewhere in the region of twenty characters.

Each of which has been performed and recorded in isolation, producing a litany of individual voices – each of them perfect, captured as a single track that will, when played back in precise unison, form a glorious theatrical polyphony.

The play is perfect.

The recordings are perfect.

I just need enough people to hit play.

That’s all.


10:00  Dates Aug 24-30

Theatre Uncut scissors-1


Multi award-winning Theatre Uncut has been at the forefront of political new writing for the past 4 years. Now we present the best of Theatre Uncut in one sitting, followed by our signature post-show debates. See six of our catalogue of political short plays by leading writers including Dennis Kelly, Neil LaBute, Clara Brennan, Stef Smith and more. Tackling current issues of austerity, education & democracy these acerbic, witty, punchy and always challenging plays bring our audience to the conversation like no other theatre company.


Paines Plough and friends present
Times 10:00 & 22:30  Dates Aug 8-29 (check for daily listings)

earlier later v38

A series of early morning and late night one-off shows: theatre, poetry, comedy, music, rumbles, shenanigans and much more in Roundabout throughout the Edinburgh Festival Fringe.

Get your fix of fresh new work, exhilarating debates and rip-roaring performances. Kick start your morning and round-up your evening in Roundabout – “the loveliest venue at the fringe” (The List, 2014).


So what do you think of ROUNDABOUT @ Summerhall 2015? Who catches your eye? Let us know and follow us @painesplough – you never know what other surprises we might have up our sleeves #RoundaboutPP.

See you there.

Chris Riddell appointed Children’s Laureate

There was a collective ‘woop!’ at PP Towers yesterday as Chris Riddell was appointed the next Children’s Laureate taking over from Malorie Blackman until 2017.

Chris drew the image for our children’s show Our Teacher’s A Troll by Dennis Kelly:

OUR TEACHER'S A TROLL by Dennis Kelly (Credit: Chris Riddell)

OUR TEACHER’S A TROLL by Dennis Kelly (Credit: Chris Riddell)

You can read all about Chris’ appointment here and have a gander at some of his other work here.

For more information about OUR TEACHER’S A TROLL and to book tickets visit the Southbank Centre website here.

Roundabout in Brighton

Roundabout is back, and heading for Brighton.


We’re thrilled to be part of a top class line-up at The Brighton Festival this May. Roundabout will pop-up in the beautiful Regency Square over-looking the sea, and host three weeks of unmissable theatre.

Fresh from its hugely acclaimed Off-Broadway run, EVERY BRILLIANT THING by Duncan Macmillan with Jonny Donahoe is back on home soil for seven performances in Brighton. It’s joined by Duncan Macmillan’s award-winning, much loved LUNGS which returns to the Roundabout Rep alongside Alexandra Wood’s Scotsman Fringe First Award winning THE INITIATE and Dennis Kelly’s wickedly funny OUR TEACHER’S A TROLL for children 7+ and their accompanying trolls.

Four in a row

The Festival runs from 2 – 24 May, and full details of the line-up curated by guest director Ali Smith can be found on the festival website.

We’ll be announcing more tour dates for Roundabout very soon, so stay tuned. Wherever you are we’ll be popping up near you soon.

Meantime… fish and chips, penny arcades and a world class arts festival line-up by the beach? Yes please.

Roundabout pops up in Edinburgh

Roundabout is our beautiful new pop-up in-the-round theatre.

It’s a completely self-contained 168-seat auditorium that flat packs into a single lorry and can pop up anywhere from theatres to school halls, sports centres to warehouses.

We throw open the doors for the first time on 2 August at Summerhall, as part of the Edinburgh Festival Fringe, with plays by three of the UK’s most exciting playwrights, performed by an ensemble of actors:

Paines Plough presents
In a time of global anxiety, erratic weather and political unrest, a couple want a child but are running out of time. What will be the first to destruct – the planet or their relationship?

Paines Plough presents
A British couple are seized by Somali pirates. In East London, a Somali taxi-driver decides to rescue them. A thrilling tale of altruism, greed and the search for how to belong.

Paines Plough and Half Moon present
Two terrible twins rule their school until the arrival of a headmaster with scaly skin and a spiky tail. An outrageously entertaining comic caper from the writer of Matilda The Musical.

Plus, the return of…

Paines Plough and Pentabus present
You’re six-years-old. Mum’s in hospital. Dad says she’s ‘done something stupid’. You start a list of everything that’s brilliant in the world. Everything worth living for. 1. Ice Cream. 2. Me. 3. Burning Things

At the end of the Festival, Roundabout will head out on its inaugural tour to NewburyMargate, Hackney and Barnsley.

We’ve created Roundabout because we’re passionate about new plays and we want as many people as possible to be able to see them. In the coming years, Roundabout will travel the length and breadth of the UK bringing a the nations’s best playwrights and a thrilling theatrical experience to people’s doorsteps.

We’ve spent four years developing Roundabout, We are hugely grateful to the organisations and individuals whose belief and support have made it possible, including The Andrew Lloyd Webber Foundation, Paul Hamlyn Foundation, Garfield Weston Foundation, J Paul Getty Jnr Charitable Trust, The John Ellerman Foundation, Universal Consolidated Group and Avolites Ltd, and the many of you who have made donations and sent us messages of support. We couldn’t have done it without you.

Roundabout was designed by Lucy Osborne and Emma Chapman in collaboration with Charcoalblue and Howard Eaton.

We can’t wait for you to see it…

Weekly Friday Feature: Blast from the Past

As we’re celebrating 4 decades on the road, we thought it fitting to start a weekly feature revisiting the wonderful people, productions and places that turned PP into what it is today.

So, this week’s Blast from the Past is AFTER THE END by award-winning writer Dennis Kelly.

Thoughts to share? Join in the twitter conversation with @painesplough #ppblastfromthepast


Paines Plough turns 40

In 2014, we’re 40 years old. Happy birthday to us. Life begins at 40, right?

Right. So we’re planning our biggest, boldest, most far-reaching programme of work ever, with more plays touring to more places than even we thought possible.

We’ll be announcing the whole shebang in January, with attendant trumpet fanfare. But in the meantime, there’s a little taster of what to expect below, and some words from illustrious PP alumni.

Where it began… In 1974, while they were all working at The Dukes Theatre, Lancaster, actor Chris Crooks asked playwright David Pownall to write a play for him. John Adams agreed to direct it.

Christened over pints of Paines bitter in The Plough pub Bolnhurst, Paines Plough was registered as company no. 1165130 on 1st April 1974.The company opened Pownall’s play – Crates On Barrels – at 6pm on Wednesday 11 September 1975 at the Lyceum Studio, Edinburgh.

128 productions, eight Artistic Directorships, 42 awards and 40 years later, Paines Plough is now the national theatre of new plays – still doing what it has always done, touring the best new plays to every corner of the UK.

“Back in 1982, after seven years on the road, we passed Paines Plough into other hands. Since then we have watched it grow, change and develop into its present strength and reputation.  We feel part of the present company, glad that our aims have lived so long, and especially glad the company is still a stage for new plays.”
John Adams and David Pownall, founders

Paines Plough old skool stylee

James and George:

“It is a true honour to lead Paines Plough in to its fifth decade of touring new plays.

“Talking to our illustrious alumni in the lead up to our 40th anniversary year, it has become clear that Paines Plough is less a company than a movement; generation after generation of the UK’s top directors and playwrights have assembled in our shabby Aldwych offices to conceive some of the most important modern plays before setting off to share them with audiences in every corner of the country.

“That’s exactly what we’ve done since we took over in 2010 – and we hope our 40th anniversary year programme will encapsulate all that is essential about Paines Plough’s contribution to British cultural life.”

With lots more to be announced, our 40th anniversary year will include new plays from playwrights spanning Olivier Award-winner Mike Bartlett and debutant Sam Burns, touring the length and breadth of the country.

The centrepiece of Programme 2014 will be the unveiling of Roundabout, our portable in-the-round auditorium.

Our portable pop-up Roundabout Auditorium

A prototype Roundabout was co-produced with Sheffield Theatres in 2011 and played at Shoreditch Town Hall in 2012. Armed with the experience of these two runs, and the generous support of the Andrew Lloyd Webber Foundation, Paul Hamlyn Foundation, J Paul Getty Jr Charitable Trust, John Ellerman Foundation and Garfield Weston Foundation, the brand new pop-up theatre will form an integral part of future Paines Plough programmes.

“It’s hard to imagine that Paines Plough is 40 years old.  Its energy and verve remain so youthful, dynamic and daring.  Its work has become a crucial component of the new writing landscape in the UK and long may it thrive.”
Daniel Evans, Artistic Director of Sheffield Theatres

We’ll be resident at the NT Shed for a series of PP Platforms at the start of the 40th anniversary year. Paines Plough alumni – writers, actors and directors – will share their memories and celebrate the crucial part the company has played in their careers to date.

“In 2005 Paines Plough made me their writer in residence and I can honestly say it was the single most important event in my career as a writer. Being a playwright moved from being a dream into being a reality as I got to spend time with people I’d only heard about, people whose books I read and plays I’d seen. I was given the chance to write what I wanted in a place that cared about writing.”
Dennis Kelly, playwright.

On 30 January, in conjunction with the Royal Exchange Manchester and ITC, Paines Plough will host a Small Scale Touring Symposium, inviting leading practitioners, journalists and companies across the UK to share in talks examining current and new aspects of touring theatre.

“For me personally it was a paradigm shift. To discover, encourage and direct the work of some extraordinary writers, to begin to understand audiences, to learn to be part of the landscape of Britain was a privilege and enormous fun. It opened the doors for all my ensuing adventures and for many others too and will always remain thrillingly alive and inspiring in my heart.”
Vicky Featherstone, Artistic Director Royal Court Theatre (Artistic Director of Paines Plough 1997 – 2004)

That’s all you’re getting for now, but stay tuned. Programme 2014 is going to be huuuge.

A hello from our new General Manager


So it’s already the end of my fourth week at Paines Plough’s HQ as the new General Manager – how time flies in theatre company land.

The past four weeks have been jam packed with budgets, wages, IT conundrums, getting to know the superb Paines Plough team and their extended family, endless mint tea drinking and more importantly my first Paines Plough Press Night/initiation – watching the very wonderful Hopelessly Devoted at Birmingham Rep.

This may sound like a pitch for a sub-standard rom-com movie but after seeing  Paines Plough’s production of Dennis Kelly’s AFTER THE END at the Leicester Haymarket Theatre in 2005 I was smitten with the company and have been a huge fan ever since, so this job is very much a dream come true.

I’m particularly excited to be starting this role as we go into Paines Plough’s 40th year which is looking to be a very special one indeed (Keep an eye on our blog for more news on this soon!) – to have the chance to work and learn from such a talented team and be a pivotal part of the pioneering work Paines Plough produce .

As I am not an award winning playwright let’s finish with a Tim Vine joke:

“I rang my mother the other day and told her I’d spent my life savings on purchasing a small theatre on the outskirts of London.”

“Are you having me on?!” she cried

“Well I can give you an audition, but I can’t promise anything” I replied.

Let the good theatre times roll…

Aysha x

Open Auditions: Favourite Playwright Poll

Huge thanks to everyone who came to our Open Auditions last Wednesday. We had a brilliant day meeting you all. It never ceases to amaze us how much serious talent is out there and how exciting it is to meet other people as excited about new plays and playwrights as us.

First up, the results of our hotly contested Favourite Playwright Poll are in:

1              Jez Butterworth

2=           Simon Stephens, Mike Bartlett, Dennis Kelly

5=           Sarah Kane, Martin McDonagh

7=           Mark Ravenhill, Terry Johnson, James Graham, Philip Ridley, Nick                          Payne, Roy Willliams

As well as finding out who your favourite playwrights were, meeting 180 actors in one day means we got to hear extracts from so many extraordinary plays written in the last fifteen years so here’s the low down on what we saw:

THE WHISKY TASTER by James Graham; IN DOGGERLAND by Tom Morton-Smith; SONGS OF GRACE AND REDEMPTION by John Donnelly; THE PILLOWMAN by Martin McDonagh; PUSH UP by Roland Schimmelpfennig; IN BASILDON and THE KNOT OF THE HEART by David Eldridge; YELLOW MOON by David Greig; CONSTELLATIONS and ONE DAY WHEN WE WERE YOUNG by Nick Payne; AFTER THE END by Dennis Kelly; LIAR by Gregory Burke; AMY’S VIEW by David Hare; THE MELANCHOLY PLAY by Sarah Ruhl; 4000 MILES by Amy Herzog; STEALING SWEETS AND PUNCHING PEOPLE by Phil Porter; THE RIVER and PARLOUR SONG by Jez Butterworth; CHRISTMAS IS MILES AWAY and HOW LOVE IS SPELT by Chloe Moss; DI AND VIV AND ROSE by Amelia Bullmore; REASONS TO BE PRETTY by Neil La Bute; 2ND MAY 1997 by Jack Thorne; STITCHING by Anthony Neilson; BANG BANG BANG by Stella Feehily; PORT, BLUEBIRD and MORNING by Simon Stephens; SHOOT 2 WIN by Tracey Daly, Jo Martin, and Josephine Melville; PRECIOUS LITTLE TALENT by Ella Hickson; THE WESTBRIDGE by Rachel Delahay; COLDER THAN HERE by Laura Wade; WILD WOOD by Matt Hartley; LUNGS by DUNCAN MACMILLAN; THE PEOPLE NEXT DOOR by Henry Adam; THE ACID TEST by Anya Reiss; CHICKEN SHOP by Anna Jordan; THE DICE HOUSE by Paul Lucas; MAD MARGARET’S REVENGE by Leslie Ross; THE MOTHERFUCKER WITH THE HAT by Stephen Adly Giurgis; FOREVER HOUSE by Glen Waldron; LITTLE LIGHT by Alice Birch; SEX WITH A STRANGER by Stefan Golaszewski; EARTHQUAKES IN LONDON, COCK and CONTRACTIONS by Mike Bartlett; JOSEPH K by Tom Basden; TENDER by Abi Morgan; UNAMED by Tom Collinson; THE VILLAGE BIKE and EIGENGRAU by Penelope Skinner; HENNA NIGHTS by Amy Rosenthal; MOGADISHU by Vivienne Franzman; I KNOW HOW I FEEL ABOUT EVE by Colette Kane; THE THINGS GOOD ME DO by Dan Muirden.

So what happens now? We keep a hold of all of your CVs and if we think there’s anything you might be suitable for we’ll invite you in to a casting for a particular PP Show. So watch this space.