Category Archive: Roundabout

Roundabout trailers are go!

It’s not long until we’re heading off to the Edinburgh Festival Fringe (how has this come round so quickly?!). We’ll be opening our three news plays in Roundabout which pops up in the Summerhall courtyard – we’ve got 10 shows a day and you can see them all here. Then Roundabout traverses the country on an eight-week tour this autumn. Find out when we’re coming to you here.

There’s GROWTH, Luke Norris’ comedy about growing up and manning up, offbeat love story LOVE, LIES AND TAXIDERMY by Alan Harris, and a magical quest following three super almost-teens from Katie Douglas, I GOT SUPERPOWERS FOR MY BIRTHDAY. We can’t wait.

We teamed up with film maker extrodinaire Rory Gibson to create three cinematic trailers for this year’s Roundabout season. You can check out Rory’s work here.

And now our #RoundaboutPP trailers have landed, feast your eyes on them here:

A Paines Plough Production
GROWTH by Luke Norris

Book here.
#GrowthPlay

A Paines Plough, Sherman Theatre & Theatr Clwyd production
LOVE, LIES AND TAXIDERMY by Alan Harris

Book here.
#LoveLiesTaxidermy

A Paines Plough and Half Moon production
I GOT SUPERPOWERS FOR MY BIRTHDAY by Katie Douglas

Book here.
#BirthdaySuperpowers

Roundabout: Closed-Captioning

Roundabout audience Rich Lakos

We’re very pleased to be partnering with Stagetext to bring closed-caption performances to Roundabout this summer. We’ll be launching this at our Roundabout previews at Hackney ShowroomLOVE, LIES AND TAXIDERMY on Sunday 24 July at 2pm will be closed-captioned. Booking info is all here.

We are also offering 5 complimentary tickets for this performance if you wish to make use of the service. Find all the info here.

Here’s what Stagetext say about closed-captioning:

Theatre captions are similar to television subtitles – the actors’ words appear on screens at the same time as they are spoken or sung. Captions also include additional information such as speaker names, sound effects and offstage noises.

If you, or anyone you know, would like to make use of this service please do get in touch as we’re eager to take on board your feedback.

We have a week of closed-caption performances when we’re at Summerhall for Edinburgh Festival Fringe. You can download a list of all the captioned performances at this year’s Fringe here.

Additional access information, including relaxed performances and BSL interpreted performances, for Edinburgh Festival Fringe can be found here.

We look forward to welcoming you to Roundabout!

#RoundaboutPP

Roundabout Rehersal Room: An extensive range of dungarees

As we gear up for previews (TONIGHT, AH!) we thought we’d take a look back on our last day in the rehearsal room before our tech rehearsals.

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Thinking, planning, rehearsing (cred. Helen Murray)

It’s getting more populous in here as we get closer to putting the plays in the Roundabout itself. As well as having the writers working with us in the room, we’ve had movement workshops with Kate Sagovsky (I couldn’t resist joining in), Elspeth, our dialect coach, helping the actors with their Merthyr accent and also their Ron-Burgundy-from-Anchorman, and an extensive range of dungarees on offer from Kat, the costume designer. We’ve also been working with a film crew to create trailers for the three shows which I’m really excited about, so look out for those.

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Caitlin thinks about tech week… (cred. Helen Murray)

Dom, our Sound Designer, comes bearing gifts of a beautiful indie soundtrack for LOVE, LIES AND TAXIDERMY and high-octane sound effects for I GOT SUPERPOWERS FOR MY BIRTHDAY which range from gross to hilarious, some of which make the PP team in the office next door to the rehearsal room jump a bit (sorry guys). Prema, our Lighting Designer, gave me a sneak peak at the visual simulation of Roundabout that she’s been using to create the lighting design, because we are living in the future.

Basically, if you picture the Avengers assembling, walking in slow motion with big explosions in the background, that’s the creative team behind these shows right now. Boom.

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“So no one wants to be Hawk-Eye?” (cred. Helen Murray)

See you next time, when we’ll be in the Roundabout itself in Hackney!

Anna.

Ealier / Later|Roundabout @ Summerhall

Roundabout audience Rich Lakos

As a bumper August in Edinburgh creeps ever closer we’ve been busy programming even more theatre for you. That’s right, on top of our eight shows a day we’ll also have a bespoke series of performances for early mornings (10am, don’t worry) and late nights (10.30pm, don’t worry). Welcome back Earlier / Later!

We’re very pleased that we can announce our Earlier / Later schedule today. Read on, friends.

06 Aug // Later // Write It:Mic It by Poleroid Theatre

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After four years at Vault, Live Theatre, Hackney Attic, Manchester Castle Hotel, Wilderness Festival & Standon Calling, Poleroid Theatre’s acclaimed open ‘write’ platform returns for it’s second year at the Roundabout!

Triple Off-West End Award nominated Poleroid Theatre bring together the UKs most exciting emerging artists offering audiences a sneak peak into new work at the first stage of it’s development and snippets of the best shows to see at the Edinburgh Fringe Festival 2016.

Artists include KATIE BONNA (Dirty Great Love Story/Soho Theatre), LUKE COURTIER (Musical Comedy Award Finalist 2015), MIXED DOUBLES (Dave Comedy Shorts Winners), TOM GILL (Kate Tempest Award Winner), PHOEBE ECLAIR-POWELL (Soho Theatre/Verity Bargate Award Finalist) and LAUGHING STOCK (Sketchfest Audience Choice Winners).

Tickets here.

07 Aug // Later // Split/Mixed by Tamasha

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A Portrait of a Boy and a Country.

Split/Mixed is a captivating coming-of-age tale that tells the story of Eddy, a boy growing up in Rwanda during the 1990s.

Writer/performer Ery Nzaramba brings to life nearly a dozen characters, merging memories into a compelling narrative exploring kinship, cultural expectations and self-discovery, weaving the fantastic with the ordinary in his search for a singular voice.

Eddy’s memories of home and his changing country merge into a narrative that explores the search for personal identity of those who grew up during the genocide in Rwanda.

Tickets here.

08 Aug // Earlier // Producers Workshop [Free]

Join Paines Plough’s Senior Producer Hanna Streeter and Producer Francesca Moody for a Q&A that will help you look beyond the Fringe and begin your journey into touring. Sharing their invaluable experience and insight on touring theatre, Hanna and Francesca will tell you what it takes, how it works, their top tips and the odd “The van broke down on the motorway” story…

Tickets here.

08 Aug // Later // Split/Mixed by Tamasha

Another performance of Split/Mixed by Ery Nzaramba.

Tickets here.

10 Aug // Earlier // General Managers Workshop [Free]

Paines Plough is delighted to be hosting our next series of General Management workshops in Roundabout.

We are always looking for ways to demystify the way we go about creating new plays in order to provide support for theatre makers at any stage of their careers.

This workshop is a chance for anyone interested in working in theatre as a General Manager, or in Finance or Administration, to find out more about the profession.

The session will be a discussion and Q&A with members of the theatre community that work in General Management. Full panel list to be confirmed.

Tickets here.

10 Aug // Later // Get Yourself Together by Josh Coates

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One Christmas, Josh was diagnosed with depression and then hit by a car. The following year he was on Job Seekers whilst attempting to balance his sanity and gift buying. A show about being ill and being fit for work. A show about the DWP and being from Bolton. This is a show that explores the thin line between mental health as a clinical and a political issue.

Part stand up, part spoken word and part teenager in his room pretending he’s in a punk band, Get Yourself Together is new show from Royal Exchange supported artist, Josh Coates.

Tickets here.

11 Aug // Earlier // Acting & Directing Workshop [Free]

Join Paines Plough Joint Artistic Director James Grieve in a workshop on working in-the-round. Looking at classic texts and new plays, this is a snapshot look at playing the most exposing, exhilarating and energising of all configurations – the round. Come on down to Paines Plough’s pop-up amphitheatre Roundabout for a quick and dirty guide to 360° theatre. Open to actors, directors and other interested parties.

Tickets here.

12 Aug // Earlier // Casting Workshop [Free]

Soho-Theatre-Pink

Casting Director Nadine Rennie, of Soho Theatre, joins us in Roundabout for a morning Q&A . Having worked with Writers from Dennis Kelly to Shelagh Stevenson, and Directors from Max Stafford Clark to Roxanna Silbert, Nadine has a wealth of knowledge and experience to share.

Whether you’re a budding young Casting Director, or an actor looking to find out more about the process and get advice, come along and join us for a morning of insight into casting.

Tickets here.

13 Aug // Later // PLAY: Edinburgh by Play Theatre Co.

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Hold on to your hats, it’s PLAYtime! Award-winning theatre company PLAY champion a new approach to new writing, with an emphasis firmly on collaboration. We’ve brought together some of the industries’ brightest and best actors, writers and directors to share a PLAYroom. Starting with a completely blank slate, they have just two weeks to collaborate, devise and create four brand new PLAYs.

Tickets here.

14 Aug // Later // Declaration by Art With Heart

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Instinctive, curious, bold and bouncy; Sarah is a mighty proud square peg, which wouldn’t be such a problem if the hole wasn’t so damn round.

Sarah grew up feeling different. Her childhood Dr thought it was sugar. Her current Dr thinks its ADHD (Attention Deficit Hyperactive Disorder). Sarah still feels different, so what will a label do?

Declaration examines when we want, need or are forced to declare our differences and the faces we wear to fit in. With autobiographical comedy, storytelling and conversations with audiences, Art with Heart take you on vibrant and daring adventure.

Tickets here.

15 Aug // Earlier // General Managers Workshop [Free]

Paines Plough is delighted to be hosting our next series of General Management workshops in Roundabout.

We are always looking for ways to demystify the way we go about creating new plays in order to provide support for theatre makers at any stage of their careers.

This workshop is a chance for anyone interested in working in theatre as a General Manager, or in Finance or Administration, to find out more about the profession.

The session will be a discussion and Q&A with members of the theatre community that work in General Management. Full panel list to be confirmed.

Tickets here.

15 Aug // Later // Obviously We Only Want The Best For Our Daughter by Joe Harbot

Obviously
Here we are, look, sitting here
We made it in against all the odds
We’ve dragged ourselves up out of the gutter to be here

You’re sitting down to eat when there’s a knock at the door. A couple introduce themselves. They make their way inside. They seem at home here. You seem to have a lot in common. In fact, there’s something vaguely familiar about them.

The first showing of a new play by Joe Harbot (The Boy On The Swing, Arcola). Directed by Kay Michaels (Pelican’s Daughters, Shakespeare in Shoreditch, RIFT).

Tickets here.

17 Aug // Later // Nothing by Barrel Organ

Barrel Organ

“Nothing ever happens to me. In fact I’d go further than that – I’d say Nothing has ever happened to me. I can’t think of a single significant thing that has ever happened to me”

Barrel Organ’s award winning debut production returns to Edinburgh after selling out in 2014. Nothing is much more than a series of monologues. It is about – among other things – cupcakes, action films, crap television, shitting, sex, buses and stalking. It is about alienation and being young.

“This young company are the future” – Lyn Gardner.

Tickets here.

18 Aug // Earlier // Producers Workshop [Free]

Join Paines Plough’s Senior Producer Hanna Streeter and Producer Francesca Moody for a Q&A that will help you look beyond the Fringe and begin your journey into touring. Sharing their invaluable experience and insight on touring theatre, Hanna and Francesca will tell you what it takes, how it works, their top tips and the odd “The van broke down on the motorway” story…

Tickets here.

19 Aug // Later // We Need To Talk (Work in Progress) by Josie Long and Jonny Donahoe

Jonny and Josie

Josie and Jonny are two lefty comedians who often get told they are preaching to the choir, living in a bubble and listening only to a social media echo chamber. They see themselves as optimists who want to make things better. That’s what they think their politics is.

If you think lefties are naïve and immature, or you don’t agree with how they see the world, come along, let’s talk.

Let’s try and be kinder to each other.
Let’s argue, but without being dicks about it.

This is a show about politics and identity and by the end of it; maybe, we will have sorted everything out and can just have a singalong.

Tickets here.

21 Aug // Earlier // Hansel and Gretel by Tap Tap

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Rucksack? Check.
Binoculars? Check.
Blind faith and unfathomable courage? Check.
Check.
Sense of direction? Well…
Rose and her brother Ollie are going on an adventure. A big adventure. As big as the ones in storybooks. Bigger. With a rucksack stuffed with Hula Hoops and no sense of direction, follow brother and sister as they journey deeper and deeper into the forest. Climb into the walking boots of adventurers past. Watch the forest come alive in front of your eyes. As they get loster and loster, what will they find?

A boisterous and bold big adventure with an even bigger heart. From the people that brought you Captain Morgan and Handmade Tales, Tap Tap Theatre return to the Fringe with their spin on Hansel & Gretel, a fast and funny treat for the whole family. Featuring live music, suitable for ages 4+.

Tickets here.

21 Aug // Later // Tongue Fu

Tongue Fu

The UK’s sharpest poets, storytellers, rappers and comedians perform with jaw-dropping improvised soundtracks from the Tongue Fu Band (Nostalgia 77, Jamie Cullum, Beardyman).

Created and hosted by poet Chris Redmond (Scroobius Pip’s Beatdown – XFM; Pick Of The Week – BBC R4), it is one of the UK’s liveliest and largest spoken word shows: a riotous experiment in live literature, music and improvisation. With special guests from across the fringe.

“Poetry, but not as you know it…amazing” Guardian
“the most remarkable spoken word event going” ★★★★★ Informed Edinburgh
“A strange kind of alchemy” ★★★★ Scotsman

Tickets here.

22 Aug // Earlier // Theatre Uncut: Refugee

Theatre Uncut scissors

Fringe First winners Theatre Uncut return with 6 brand new international short plays, responding to the refugee crisis, by British, Turkish & Danish writers including award winning Sabrina Mafhouz & Athia Sen Gupta. These plays were created in collaboration with Danish Teater GROB for the Copenhagen STAGE Festival.

Tickets here.

22 Aug // Later // Tuck Shop by Not Too Tame

NTT

Tuck Shop is a pick of new work from some of NTT’s favourite writers and a mix of our trademark electrifying energy, blended to create a new writing night with a twist. A night that’s not too well behaved, a little bit naughty and a little bit nice. So satisfy your sweet tooth, come get your fill and tuck into a night of fun, excitement and guaranteed good company!

“The company’s stated intention is to engage audiences who don’t feel they belong in “tame, polite theatre”, and they do this with great charm and energy” The Telegraph

Tickets here.

24 Aug // Earlier // Acting & Directing Workshop [Free]

Join Paines Plough Joint Artistic Director James Grieve in a workshop on working in-the-round. Looking at classic texts and new plays, this is a snapshot look at playing the most exposing, exhilarating and energising of all configurations – the round. Come on down to Paines Plough’s pop-up amphitheatre Roundabout for a quick and dirty guide to 360° theatre. Open to actors, directors and other interested parties.

Tickets here.

24 Aug // Later // Bang Said the Gun

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Bang Said The Gun is poetry for people who don’t like poetry. Voted the best poetry night in the UK by the Times, Bang Said The Gun has made poetry cool again. A rollercoaster of emotions, it’s loud, raucous, political, trivial, serious and very funny. Normal rules do not apply here. Featuring a rich mix of the best and freshest talent, they will grab you by the collar and drag you into another world.

As recommended by Kate Tempest, ‘It’s like mud wrestling with words’, or as ex poet laureate, Andrew Motion puts it ‘BSTG is a vortex of energy and enthusiasm’.

‘Like all the best things in life, Bang Said The Gun is done with commitment, belief and passion.’ Phil Jupitus

“Bang Said The Gun is the best poetry night in the country. The combination of excitement, enthusiasm and deep, deep concentration on the poems is a wonder to behold.” Ian McMillan, BBC Radio

Tickets here.

26 Aug // Later // The Sleep Show by Rob Auton

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This show is about sleep. It is suitable for those who have slept. Following on from 2012’s The Yellow Show, 2013’s The Sky Show, 2014’s The Face Show, 2015’s The Water Show, award-winning writer and performer Rob Auton returns with 2016’s The Sleep Show.

‘Entirely compelling to watch’ Daniel Kitson
‘Just sad’ Vanessa Feltz
‘We need him’ Scotsman
‘A genuine original. Poetical, philosophical, humane, completely charming and funny to boot.’ Guardian
‘Like watching a kid caught in the stage lights of his first Nativity’ Venue.co.uk

Tickets here.

 

More announcements coming soon via @painesplough on Twitter.

#EarlierLater

Roundabout Rehearsal Room: 3 actors, 55 characters

Hello! Welcome to the latest update from the Roundabout rehearsal room. The plays are up on their feet now and it’s all kicking off. The circular stage has been marked out in tape on the floor by Caitlin, our Stage Manager, with the yellow, blue and pink of the seats around the edges. The colour codes, arrows and crosses all help, because rehearsing three plays at once in the round can be figuratively and literally dizzying.

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Colourful rehearsals = black and white photos (cred. Helen Murray)

The circle comes to life as we explore the huge amount of possibilities for playing in it – it can feel like an intimate little stage or a huge space depending on the dynamics in the scene we’re doing. Altogether, we’ve counted 55 different characters across all the plays, and that makes for a lot of different accents and shapes. We aren’t using any set or props, which means all the focus is on the actors, and they’re conjuring everything from a bedroom to an entire Welsh town to a giant slug in our imaginations.

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Richard Corgan counts how many characters he’s playing… (cred. Helen Murray)

At the end of the week, we went to the beautiful space at Half Moon Theatre to show I GOT SUPERPOWERS FOR MY BIRTHDAY to a young audience. We got some lovely and useful feedback, including “when’s the sequel?” (top secret, sorry guys), and someone compared it to the amazing Avatar: The Last Airbender, which reminds me – I need to watch the last series.

This week’s top tip comes not from me but from one of the actors, and it’s about wearing loose clothing when playing mythical creatures.

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Director George reacts to Andy’s wardrobe malfunction (cred. Helen Murray)

See you next time!

Anna

Roundabout Rehearsal Room Blog: The beginning

Hi, I’m Anna! I’m the new Trainee Director at Paines Plough and I’ll be assistant directing the Roundabout plays this year – GROWTH, I GOT SUPERPOWERS FOR MY BIRTHDAY and LOVE, LIES AND TAXIDERMY. I’ve just moved to London to work at PPHQ and in between rehearsals you can find me skipping delightedly across Waterloo Bridge like I’m Andrea Sachs in The Devil Wears Prada and I’ve just arrived in New York.

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Rehearsal room walls (cred. Helen Murray)

Back to the rehearsal room – the first thing you would notice if you came in would be the walls. They started off blank and inviting, and quickly began to fill up. Detailed maps of Merthyr Tydfil, pictures of Captain Planet and The Incredibles, and medical information about orchidectomies cover every surface, along with timelines of each play. As the days go by, all the work we’re doing on the texts manifests itself on the walls, and it begins to look like the office of a particularly eclectic and obsessive private investigator *sips scotch*.

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Hilarious moments with Remy Beasley (cred. Helen Murray)

Incidentally, investigating is exactly what we’re doing at the table in rehearsals (stunning segue Anna) – lots of going through the plays, hearing them out loud, playing and finding information about the characters and stories. Beautiful and hilarious moments emerge, and already I’ve learned a lot about the initial rehearsal process for new writing, about day-to-day life at PPHQ, and NEVER to Google ‘hybrid taxidermy’ (I’m serious, don’t do it guys).

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Anna accidentally googles ‘hybrid taxidermy’ (cred. Helen Murray)

Thanks for reading! I’ll be back soon with more rehearsal updates,

Anna

Roundabout Rehearsals are go

It’s that time of year again. We’re back in the rehearsal room and buzzing with excitement for another Roundabout season.

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Plays.

If you’re late to the party and haven’t heard about our three new plays you can read about all them here: LOVE, LIES AND TAXIDERMY, GROWTH and I GOT SUPERPOWERS FOR MY BIRTHDAY.

On Monday last week we welcomed our rep of three brilliant actors to PPHQ: Remy Beasley, Richard Corgan and Andy Rush. We’ll be interviewing all the team as rehearsals go on so watch this space!

After introductions it was time to crack on with a first day staple: read throughs but not without a delay… we tucked in to a few treats from our new Company Stage Manager Caitlin. We like Caitlin.

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Treats.

After emerging from a cloud of puff pastry and cinnamon we got down to business and read GROWTH by Luke Norris. Andy plays Tobes throughout while Remy and Richard play a whole host of characters from Tobes’ boss to Tobes’ doctor and everyone in between.

After a quick water break we fell head first into a world of goblins and gargoyles but thankfully we had three teenage superheroes on hand to help us out. Ethan, William and Fiona discover their superpowers just in time to save the world in Katie DouglasI GOT SUPERPOWERS FOR MY BIRTHDAY. Saving the world is hungry work though so we stopped for some lunch.

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Actors.

Post-lunch we ventured into The Valleys for Alan Harris‘ LOVE, LIES AND TAXIDERMY. We zoom from location to location, Tesco to Biotech Medical Research Unit, Castle Hotel to Gurnos, ice cream van to the Conservative Club.

That concludes our first day of Roundabout rehearsals. What are you most looking forward to? What part of the process do you want to hear more about? Let us know and you never know, we might be able to provide some extra insight!

#RoundaboutPP

Roundabout casting annoucement

Here at PPHQ we’re very excited to announce the cast for our Roundabout season. The brilliant trio of Remy Beasley, Richard Corgan and Andy Rush will form an ensemble to perform LOVE, LIES AND TAXIDERMY by Alan Harris, GROWTH by Luke Norris and I GOT SUPERPOWERS FOR MY BIRTHDAY by Katie Douglas which will premiere this August at the Edinburgh Festival Fringe before touring the UK. Full Roundabout dates here.

Remy Headshot

Remy Beasley

Remy is best known for playing Beyonce Evans in Sky1’s recent Welsh set comedy drama Stella, written by and starring Ruth Jones MBE (Gavin & Stacey), and recent stage credits include playing the lead role in the National Theatre Wales’ festive theatre-gig The Insatiable, Inflatable Candylion, created by Gruff Rhys, Wils Wilson and Tim Price.

Full credits:

Remy trained at Royal Welsh College of Music and Drama. Theatre credits include THE INSATIABLE, INFLATABLE CANDYLION (National Theatre Wales), SYMPHONY (Nabokov/Vault Festival/Lyric Hammersmith/National Theatre Live), SILLY KINGS (National Theatre Wales), TAMING OF THE SHREW (Shakespeare’s Globe Theatre), LITTLE DOGS (Frantic Assembly/National Theatre Wales), NABOKOV FAIRYTALES (Nabokov), GASLIGHT (Clwyd Theatr Cymru), LOVE STEALS US FROM LONELINESS (National Theatre Wales), IT’S ABOUT TIME (Nabokov).

Television credits include GWAITH CARTREF (Fiction Factory), STELLA (Tidy Productions/Sky One), CRITICAL (Sky One), PERFECT SUMMER (BBC Wales Television).

Film credits include LOVE IS THICKER THAN WATER (Mulholland Pictures + Barnsbury Pictures).

Richard Corgan

Richard Corgan

Richard is also well known for his TV credits playing the lead role in BBC Wales’ drama Baker Boy as well the BBC medical drama Doctors.  Recent stage credits include TOM: A STORY OF TOM JONES THE MUSICAL (2015).

Full credits:

Richard trained at Bristol Old Vic Theatre School. Theatre credits include TOM: A STORY OF TOM JONES THE MUSICAL (NO:1 U.K. TOUR), MACBETH and THE CHANGELING (Barbican Theatre, Tobacco Factory) PRESS OK R&D (Royal National Theatre), THE MERCHANT OF VENICE (Singapore Repertory Theatre), GARDENING: FOR THE UNFULFILLED AND ALIENATED (Latitude Festival/Edinburgh Fringe, Fringe 1st winner), A PROVINCIAL LIFE (National Theatre Wales), TAMING OF THE SHREW (Sprite Productions), MACBETH (Sprite Productions), TWELFTH NIGHT (Sprite Productions), TAMING OF THE SHREW (The Globe), ROMEO & JULIET (LCM), FLOWERS FROM TUNISIA (Torch Theatre), BOEING BOEING (RCT) FROZEN, MERLIN AND THE CAVE OF DREAMS (Sherman Cymru), OTHELLO & CYRANO DE BERGERAC(Royal Opera House), THE LONG, THE SHORT AND THE TALL (Pleasance, Islington). WHITE DEVIL (Redgrave Theatre), NSFW (Waking Exploits).

Television credits include BAKER BOYS (BBC Wales), Series Regular in Doctors (BBC), CAUGHT IN THE WEB (BBC), THE B-WORD (BBC Wales), POBOL Y CWM (S4C), HER MAJESTY THE QUEEN’S 80TH BIRTHDAY PARTY AT THE PALACE (BBC, Live).

Film credits include CANARIES (Maple Dragon), DIANA (Ecosse Films), MAGPIE (Nowhere Fast Productions).

Radio Credits include: FOURSOME (BBC Radio 4), BLUE REMEMBERED HILLS (Christchurch Studios), GREAT ORMOND ST CHRISTMAS CAROL (LBC).

Andy Rush

Andy Rush

Andy will soon appear in ID2: Shadwell Army, (the sequel to cult 90s film I.D.) and recent stage credits include the Royal Lyceum Theatre Edinburgh and Lyric Hammersmith acclaimed production of TIPPING THE VELVET (2015). Paines Plough fans will recognise Andy from JUMPERS FOR GOALPOSTS.

Andy trained at Birmingham School of Acting. Theatre credits include TIPPING THE VELVET (Lyric Hammersmith), UNIDENTIFIED ITEM IN THE BAGGING AREA (Pink Snail Theatre Company), JUMPERS FOR GOALPOSTS (Paines Plough), MIDSUMMER NIGHT’S DREAM (The Lamb Players), HELLO/GOODBYE (Hampstead Theatre), LOVE’S LABOUR’S LOST (The Lamb Players), THE KITCHEN SINK (The Bush Theatre) SENSE (Made by Brick), ANNA KARENINA (The Arcola Theatre), ROMEO & JULIET (Cheltenham Everyman).

Television credits include WATERLOO ROAD (Headstrong Pictures), TOMMY COOPER – NOT LIKE THAT, LIKE THIS (Left Bank Pictures), WIZARDS VS ALIENS (BBC), NEW TRICKS (Wall to Wall).

Film credits include ID2: SHADWELL ARMY (Parrallax Pictures), HERE & NOW (Small But Tall Films Ltd).

We’ll be blogging from the rehearsal room soon with interviews from Remy, Richard, Andy and the rest of the creative team. Watch this space.

#RoundaboutPP

We’re recruiting for Roundabout in Edinburgh

Roundabout audience Rich Lakos

WANTED: Enthusiastic and motivated people to join Team PP in Edinburgh.

Listen up. This August we’re super pleased to be returning to the Edinburgh Festival Fringe with ROUNDABOUT. From 5 – 28 August, ROUNDABOUT will pop up in the courtyard of Edinburgh’s Summerhall and house a season of extraordinary work all performed in a thrilling 360 degree setting.

WHO ARE WE LOOKING FOR?

We’re seeking people who are engaged, open and fans of new writing to work across two teams for the duration of the festival. These teams are:

- Visitor Services
- Street Team

WHAT WILL YOU NEED TO DO?

Street Team

– Flyering and postering around Edinburgh (come rain or shine).
– Talking to the public about the shows.
– Sticking up and stapling reviews.
– Being an enthusiastic ambassador for Roundabout and the shows.

Visitor Services

– Welcoming audience members into Roundabout.
– Taking tickets and seating audience members.
– Managing latecomers.
– Troubleshooting and being the point of contact in the event of an evacuation.

HOW MUCH WILL YOU BE PAID?

You will be paid an hourly rate depending on your age:

– £6 per hour for 18- 20 year olds.
– £7 per hour for 20- 25 year olds.
– £7.20 per hour for 25 and over.

WHAT ARE THE BENEFITS?

– We pay above minimum wage.
– Training from Paines Plough’s and Summerhall’s dedicated and experienced Fringe team to perform your role to the best of your ability.
– A Summerhall Pass, which permits the holder free entry to all shows in the Summerhall programme, provided they’re not sold out. This gives access to over 120 shows. Pass holders also receive discounts at the Summerhall cafe, restaurant, concessions and bars. As usual the Summerhall programme is excellent. You can check it out here. All that for free.
– Free playtexts for all of the Paines Plough Roundabout plays.
– An end of run party with us so you can celebrate your achievements together before finishing for the season.

WHAT ARE THE ROUNDABOUT SHOWS?

Paines Plough, Sherman Cymru & Theatr Clywd present
LOVE, LIES AND TAXIDERMY by Alan Harris

Paines Plough present
GROWTH by Luke Norris

Paines Plough & Half Moon present
I GOT SUPERPOWERS FOR MY BIRTHDAY by Katie Douglas

Paines Plough and Pentabus present
EVERY BRILLIANT THING by Duncan Macmillan with Jonny Donahoe

Prime Cut productions presents
SCORCH by Stacey Gregg

Walrus presents
LEMONS LEMONS LEMONS LEMONS LEMONS by Sam Steiner

Jonny & the Baptists
EAT THE POOR

Katie Bonna and Paul Jellis in association with SOHO Theatre present
ALL THE THINGS I LIED ABOUT by Katie Bonna

Ghost Quartet presents
GHOST QUARTET

Fly By Night Productions presents
DES CLARKE’S ALL STAR COMEDY IN AID OF STV CHILDREN’S APPEAL

EARLIER / LATER

A series of early morning and late night one-off shows and events. Coffee and croissants with readings, talks, workshops, debates, insights and special guests. Get your fix of fresh ideas, brave new work and rip-roaring performances.

HOW DO YOU APPLY?

Send a cover letter, CV explaining your relevant experience, and your availability during the festival to office@painesplough.com with the subject ‘EDINBURGH FESTIVAL TEAM/[STREET TEAM or VISITOR SERVICES]’. You are more than welcome to apply for both teams in one application, in which case, please use the subject line ‘EDINBURGH FESTIVAL TEAM/BOTH’.

Although we would prefer team members to be around for the whole festival season we are still happy to accept applications from those with a limited availability.

Deadline for applications: Monday 13 June, 12pm

Shortlisted candidates will be invited to our recruitment day in London Thursday 16 June. or in exceptional cases be interviewed by Skype or phone if they cannot attend the recruitment day.

All staff are required to attend one of our training days in either London or Edinburgh. This will be a key opportunity to meet fellow staff and get to know our exciting venue. The training dates are as follows:

- Hackney Showroom, London – Sunday 17th July
- Summerhall, Edinburgh – Friday 29th July

Please note you must be over 18 to apply for this position.

To access the full job description visit the ‘Get Involved’ section on our website.

We look forward to hearing from you!

Full Roundabout EdFringe Programme

Roundabout audience Rich Lakos

This summer Roundabout returns to Summerhall for Edinburgh Festival Fringe August 5-28. Roundabout will host up to 10 shows a day for 24 days. 225 productions in total. That’s nearly 300 hours of top notch entertainment with 37,800 tickets available.

And that’s just the beginning. After Edinburgh, Roundabout tours the nation stopping off at Margate, Eccles, Kendal, Barnsley, Stoke-on-Trent, Lincoln and Luton.

We’re excited to announce our full Edinburgh Festival Fringe programme including three world premières. Joint Artistic Directors James and George told us what to expect:

“We’re thrilled this cracking programme of new plays from some of the most exciting writers around will tour across the UK this summer and autumn. Roundabout will bring a festival feel to every place it visits with a host of locally curated and created shows and events alongside our own work. An offbeat love story from Alan Harris and an unflinching, side-splitting comedy from Luke Norris, join Katie Douglas’ superhero quest for children in an eclectic, fun-filled collection of new plays in our portable, pop-up theatre. In Edinburgh we’re honoured to present a programme of outstanding visiting work ranging from Stacey Gregg’s Irish Times Award Winning new play SCORCH to the hit Off-Broadway song cycle GHOST QUARTET.”

Our three world premières are LOVE, LIES AND TAXIDERMY by Alan Harris, GROWTH by Luke Norris and I GOT SUPERPOWERS FOR MY BIRTHDAY by Katie Douglas.


 

Paines Plough, Sherman Cymru & Theatr Clywd present
LOVE, LIES AND TAXIDERMY by Alan Harris
Time 13:35 Dates Aug 5, 7, 10, 17, 24, 12, 14, 19, 21, 26, 28.

This is a boy meets girl story. Son of a Polish taxidermist meets daughter of a failing ice cream salesman. In Tesco. An offbeat love story about trying to fit in from acclaimed writer Alan Harris.

Tickets here.

LLT v9 990x990 2


 

Paines Plough present
GROWTH by Luke Norris
Time
13:35 Dates Aug 6, 8, 11, 13, 15, 18, 20, 22, 25, 27.

Tobes is young, free and having a ball. Off. It’s seriously cramping his style so there are pants to be dropped and decisions to be made. A comedy about growing up and manning up from rising star Luke Norris.

Tickets here.

Growth v9 990x990 1


 

Paines Plough & Half Moon present
I GOT SUPERPOWERS FOR MY BIRTHDAY by Katie Douglas
Time
11:00 Dates Aug 6, 7, 8, 10, 11, 12, 13, 14, 15, 17, 18, 19, 20, 21.

Ethan, William and Fiona discover they have superpowers on their 13th birthday, just in time to save the world. Join our heroes on a magical quest for ages 7+ from acclaimed writer Katie Douglas.

Tickets here.

Superpowers v9 990x990 4

 


 

Paines Plough and Pentabus present
EVERY BRILLIANT THING by Duncan Macmillan with Jonny Donahoe
Time
15.35 Dates Aug 6, 7, 8, 10, 11, 12, 13, 14, 15, 17, 18, 19, 20, 21, 22, 24, 25, 26, 27, 28.

The worldwide smash hit is back. A play about depression and the lengths we go to for loved ones. ★★★★ “Heart-wrenching, hilarious… possibly one of the funniest plays you will ever see” (The Guardian). “Captivating” (New York Times).

Tickets here.

PP2016 season shows v9 PRINT 343x3433


EARLIER / LATER
Time
10:00 & 22:30 Dates Aug 5-8, 10-15, 17-22, 24-28.

A series of early morning and late night one-off shows and events. Coffee and croissants with readings, talks, workshops, debates, insights and special guests. Get your fix of fresh ideas, brave new work and rip-roaring performances. These will be announced on our Twitter @painesplough and tickets will be available via Summerhall.

Now fully announced, see the full programme here.

Earlier Later 310 cropped


 

Prime Cut productions presents
SCORCH by Stacey Gregg
Time
18:05 Dates Aug 6-8, 10-15, 17-22, 24-29.

A story of first love through the eyes of a gender-curious teen inspired by recent court cases, lost amidst the headlines. Winner of the prestigious Best New Play at the 2015 Irish Times Irish Theatre Awards. ★★★★ ‘High quality’ (The Irish Times).

Tickets here.

scorch


 

Walrus presents
LEMONS LEMONS LEMONS LEMONS LEMONS by Sam Steiner
Time
12:10 Dates Aug 6-8, 10-15, 17-22, 24-29.

Walrus’ award-winning sell out show returns to Edinburgh. The average person says 123,205,750 words in a lifetime. But what if there were a limit? Oliver and Bernadette are about to find out. A play about what we say and how we say it. ‘About as promising as debuts get’ (Time Out). ★★★★ ‘It’s bright, light and sharp – a rom-com with smarts’ (WhatsOnStage).

Tickets here.

Lemons Beth 1 (cred. Giulia Delprato)


Jonny & the Baptists
EAT THE POOR
Time
19.35 Dates Aug 6-8, 10-15, 17-22, 24-29.

In 2009, David Cameron forgot how many houses he owned. Within five years, homelessness doubled. A riotous musical epic about inequality, friendship and betrayal. ★★★★ ‘Rallying… gigglesome wordplay’ (Guardian). ★★★★ ‘Wickedly amusing’ (Times).

Tickets here.

Jonny & the Baptists - Eat the Poor - PR image 1 (image by Anna Soderblom).jpg


Katie Bonna and Paul Jellis in association with SOHO Theatre present
ALL THE THINGS I LIED ABOUT by Katie Bonna
Time
16:40 Dates Aug 6-8, 10-15, 17-22, 24-29.

Fringe First winner Katie Bonna (Dirty Great Love Story) confronts humanity’s obsession with lying. ‘Simultaneously restores your faith in human nature and the Fringe.’ ★★★★ (Telegraph). ‘Laughs are frequent, unsignalled… brilliant.’ ★★★★ (Times).

Tickets here.

ALL THE THINGS brochure image


Ghost Quartet presents
GHOST QUARTET
Time
21:00 Dates Aug 6-8, 10-15, 17-22, 24-29.

Ghost Quartet is a haunted song cycle about love, death, and whisky. A raucous chamber musical from Dave Malloy, composer of the Broadway-bound Natasha, Pierre & The Great Comet of 1812.

Tickets here.

GhostQuartet3(Ryan Jensen)


 

Fly By Night Productions presents
DES CLARKE’S ALL STAR COMEDY IN AID OF STV CHILDREN’S APPEAL
Time
14:00, 17:00 & 20:00 Dates Aug 16.

Des Clarke hosts the recording of an exciting new stand-up TV series featuring the comedy stars of today and tomorrow. Proceeds to the STV Children’s Appeal.

Tickets here.

Des Clarke