Category Archive: Roundabout

We’re recruiting a Company Stage Manager for the ROUNDABOUT season

We’re on the lookout for a friendly and dedicated Company Stage Manager to join the good ship ROUNDABOUT and team PP this year. Could it be you? Details below:

COMPANY STAGE MANAGER on the book
ROUNDABOUT SEASON

To apply please email a CV and brief cover letter to
harriet@painesplough.com

Application deadline: Friday 29 April, 10am


About Roundabout:

Roundabout is our beautiful pop-up in-the-round theatre. It offers a unique 360 degree theatre experience with 168-seats wrapped around the stage, state-of-the-art LED lighting and surround sound. Roundabout flat packs into a lorry and pops-up across the UK bringing the nation’s best playwrights and a thrilling atmosphere to audiences everywhere.

This year Roundabout will host three brand new plays, directed by our joint Artistic Director George Perrin and performed by a rep of three actors. The plays are:

A Paines Plough production
GROWTH by Luke Norris

A Paines Plough, Clwyd Theatr Cymru and Sherman Cymru production
LOVE LIES AND TAXIDERMY by Alan Harris

A Paines Plough and Half Moon production
I GOT SUPERPOWERS FOR MY BIRTHDAY by Katie Douglas


Dates:

London, Rehearsals: w/c 16 May
London, Tech and previews in Roundabout: w/c 11 and 18 July
Edinburgh Tech and rehearsals in Roundabout: w/c 25 July
Performances Edinburgh Festival: 4 – 29 August
UK Tour: 5 September – 19 November


Job Purpose:

To support the Director and manage the Roundabout company during rehearsals and on tour ensuring the efficient running of the rehearsal room and productions in tech and performance and the well-being of the company. To operate all Paines Plough shows and with the Technical Stage Managers providing a safe, tidy and welcoming environment within the Roundabout auditorium for all audiences.


Key Responsibilities (including but not limited to):

• To source and buy any props and costume for the productions as requested by the Director and Designer, within the budgets and parameters agreed with the Producer
• To manage the petty cash budget within the parameters set by the Producer
• To take joint responsibility with the Technical Stage Managers on all aspects of the Roundabout Auditorium whilst on the road
• To strictly monitor and adhere to the weekly schedules as provided by the Producer.
• To be jointly responsible with the TSM’s for the daily power-up and power-down of the Roundabout.
• To ensure that all set, costume and props are kept in a tidy, clean and orderly manner and to replace any consumable items within the budgets and parameters agreed with the Producer.
• In conjunction with the TSM’s to ensure that all working and public areas are kept tidy and clear of waste material and that equipment is maintained to a safe and proper standard.
• In conjunction and liaison with the Technical Stage Managers, to complete any day to day maintenance that may be required of the set, props, furniture and dressing for the production according to the Director’s and Designer’s requirements and within budgets and parameters agreed with Producer.
• In conjunction and liaison with the Technical Stage Managers, to ensure that all work undertaken on the set, props and furniture etc. is completed to the high standards agreed with the Producer.
• In conjunction with the Technical Stage Managers to liaise with the FOH at each tour venue to ensure the smooth running of the shows and Roundabout auditorium.
• Cover the running and/or operating of all 3 Paines Plough productions within the Roundabout as per weekly touring schedule drawn up by the Production Manager & Producer and as mutually agreed.
• To liaise and co-operate with all other departments and individuals within Paines Plough.
• To act as a credible ambassador for the company at all times.
• To adhere to the Health and Safety Policy of the company, undertaking such duties as are required, and ensuring that reasonable care is taken to ensure a healthy and safe working environment.
• To undertake any other appropriate duties which may be allocated by the Producer.
• Be in attendance at post-show discussions, press/photo calls and interviews for the Insights programme as notified
• To deliver rehearsal and show reports for all Roundabout productions to Paines Plough staff and the creative team.
• To support and manage the Roundabout company during rehearsals, production, in Edinburgh and on tour


Person Specification

Essential:

• Previous experience of the role, preferably within a similar-sized venue or production company
• Demonstrable ability to perform the duties listed above
• An organised yet flexible approach and calm under pressure
• Dedicated and committed with excellent focus and organisational skills
• Ability to be creative and resourceful in problem solving
• Proven ability to work within allocated budgets
• A working knowledge of the ITC/Equity Subsidised Repertory Agreements
• Awareness and experience of health and safety legislation and practice
• Experience of and ability to operate QLab
• Good team player

Desirable:

• First Aid trained

Fee: £447.50 p/w for rehearsals and w/c 31 Oct, 7 Nov, 14 Nov and £550 p/w for Edinburgh and the tour.


To apply please email a CV and brief cover letter to harriet@painesplough.com with the subject heading: ROUNDABOUT CSM APPLICATION

Application deadline: Friday 29 April, 10am

Interview dates: Tuesday 3 May and Wednesday 4 May.

Please note you must be available on one of the interview dates.

You can download the full job description here.

Programme 2016

Here we go… the grand unveiling of our Programme 2016 in all its glory. A host of new plays from red hot writers hitting the road to the four corners of our green and pleasant land.

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Here’s a snapshot:

ROUNDABOUT features a new rep of three brand new plays by Katie Douglas, Alan Harris and Luke Norris at Summerhall in Edinburgh and on tour to Kent, Cornwall, Cumbria, Lincolnshire, Bedfordshire, Staffordshire, Yorkshire and Greater Manchester.

The world premiere of BROKEN BISCUITS by Tom Wells opens with our co-producers Live Theatre in Newcastle prior to a UK Tour.

WITH A LITTLE BIT OF LUCK by Sabrina Mahfouz tours to 29 venues nationwide.

EVERY BRILLIANT THING is back on home soil by popular demand following an international tour.

COME TO WHERE I’M FROM comes to London with a week of live events across the capital featuring 30 playwrights.

Elinor Cook’s TEN WEEKS opens in London tonight.

Our transatlantic collaboration with legendary New York company Naked Angels sees two new radio plays by Nathan Bryon and Lucy Gillespie released as free to listen downloads.

Here’s what James & George have to say about it all:

“We’re raring to hit the road to the four corners of the UK with this cracking programme of new plays from some of the most exciting writers around. Roundabout will pop-up across the country with comedies from Luke Norris and Alan Harris, a superhero tale for children from Katie Douglas and a host of events from international visiting companies and local community groups, bringing a festival feel to every place it visits. We’re honoured to be working with talents as innovative as Sabrina Mahfouz – whose UK Garage musical is theatre you can rave to – and Tom Wells whose heart-warming new play will delight fans of his previous Paines Plough hit Jumpers For Goalposts. With Every Brilliant Thing returning to the UK after an international tour, London stories in Come To Where I’m From and new plays from Elinor Cook, Nathan Bryon, Lucy Gillespie, there’s a play for everyone, everywhere in Programme 2016.”

Paines Plough presents
ROUNDABOUT
2016 sees the return of Roundabout, our award-winning pop-up theatre. The all new Roundabout programme will preview from 19 – 24 July at Hackney Showroom in London before taking up residency once again at Summerhall during the Edinburgh Festival Fringe and then touring nationwide.

Roundabout will tour nationwide in partnership with The Lowry, Hall For Cornwall, Margate Theatre Royal, Lincoln Performing Arts Centre, Brewery Arts Centre, Barnsley Civic, Appetite Stoke-on-Trent and Revoluton, Marsh Farm Estate in Luton.

In rep will be three World Premieres…

A Paines Plough, Sherman Cymru and Theatr Clwyd production
LOVE, LIES AND TAXIDERMY
By Alan Harris

A deliciously quirky comedy from Alan Harris about two teenagers in Merthyr Tydfil who fall in love in Tesco but face a fight to save their parents from self-destruction.

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A Paines Plough production
GROWTH
By Luke Norris

A very funny new play from Luke Norris about a 20-something who tries to ignore a lump until it’s almost too late.

GROW 466

A Paines Plough and Half Moon production
I GOT SUPERPOWERS FOR MY BIRTHDAY
By Katie Douglas

An epic superhero quest for ages 7 to 11-year-olds from Katie Douglas.

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PLUS… Roundabout will again host a programme of visiting companies at The Edinburgh Festival Fringe and on tour, and see the return of EARLIER / LATER, Paines Plough’s early morning and late night series of one-off shows, events, workshops and more.

A Paines Plough and Live Theatre production
BROKEN BISCUITS
By Tom Wells

The brand new play from JUMPERS FOR GOALPOSTS writer Tom Wells. A hilarious and heart-warming tale of three teenagers dreaming of rock ‘n’ roll stardom.

BB 466

A Paines Plough and Latitude Festival production
WITH A LITTLE BIT OF LUCK
by Sabrina Mahfouz

Our hit UK Garage musical is back in our rehearsal room and getting set to hit the road to 29 venues nationwide. This is theatre you can rave to.

WALBOL 466

A Paines Plough and Pentabus Theatre Company production
EVERY BRILLIANT THING
By Duncan Macmillan with Jonny Donahoe

Our worldwide hit show is back on home soil in Edinburgh and on a UK tour this Autumn.

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A Paines Plough and Tamasha production
COME TO WHERE I’M FROM: LONDON

Since 2010 more than 100 playwrights have written plays about the place they call home as part of our nationwide project, but never in London… until now…

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A Paines Plough and Royal Welsh College of Music and Drama production
TEN WEEKS
by Elinor Cook

Elinor Cook’s electrifying new play about the Alpha course transfers to The Gate in Notting Hill following its Cardiff premiere.

TW 466

Paines Plough and Naked Angels present
BILAL’S BIRTHDAY by Nathan Bryon
322 DAYS by Lucy Gillespie

Our transatlantic partnership with New York legends Naked Angels has resulted in these two cracking radio plays from rising US star Lucy Gillespie and our very own Playwright Fellow Nathan Bryon.

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Woop. And there’s lots more to come including a mega programme of visiting companies, one-off shows, events, workshops and fun stuff in Roundabout, the return of EARLIER/LATER, festival appearances, more tour dates, and probably other stuff we think up as we go along too.

But for now, welcome to Programme 2016. We hope you like it.

#PP2016

Two new homes for our Prototype

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Remember way back in September when we announced our Roundabout Prototype was looking for a good home? Well, after sifting through lots of brilliant applications and innovative ideas for using the prototype we’d like to have given it to everyone, but two applications particularly stood out. We’re delighted to announce that ownership of the Prototype will shared between: RIFT based in Tottenham, and THE FLANAGAN COLLECTIVE based in North Yorkshire.

Both applications were brimming with brilliance, and we think that sharing the Prototype in this way allows it to retain some the Roundabout DNA as it travels up and down the country every year.

THE FLANAGAN COLLECTIVE

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Since 2011, THE FLANAGAN COLLECTIVE, have been making and creating work in North Yorkshire.

They have popped up in country pubs, barns, back gardens and front rooms and have now set up base in an 18th Century converted Watermill. Their previous output includes Beulah, BABYLON and Fable (which you can catch at the VAULT Festival!). Plus they produce events like The Little Festival Of Everything, programming folks like RashDash, Third Angel, Chris Thorpe, Chris Stokes, Holy Moly & The Crackers, Hannah Nicklin, Little Mighty and Hunting Bears.

From May – September, the Prototype will set up shop with them. Their aim is to turn it in to a meeting place – a place for artists to come and stay and play and create, and a place for the local community to come and make, input and be a part of a growing rural arts ecology.

They’ll be announcing some details of a first season very soon. So keep an eye on their website, twitter and Facebook.

RIFT

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RIFT are Felix Mortimer and Joshua Nawras. RIFT’s mission is to tell stories without boundaries.

After spending the summer in Yorkshire, the Prototype will make the move to STYX in Tottenham Hale, North London where Felix and Josh have worked for five years.  Since establishing STYX in June they have already staged performances and worked with the Royal Court, Young Vic, Belarus Free Theatre and LIFT and hosted 12 international companies who have been in residence in their current space. They have opened a pop up pizza parlour, bespoke architectural pavilion and Library (home to local playwright in residence Annie Jenkins). RIFT’s vision for the Prototype is that it will enliven their area with stories, open up dialogues between communities and showcase the voices of Tottenham and beyond.

To find out more, you can watch this film about RIFT made early last year.

 

Team PP are thrilled that the Prototype will now allow THE FLANAGAN COLLECTIVE and RIFT to curate their own programmes of local and international artists for their communities to engage with and enjoy.

We’re delighted that the Prototype has found two such exciting new homes to invite artists and audiences to. We can’t wait to see what happens next…

Our Teacher’s a Troll: Reviews and Responses.

OUR TEACHER’S A TROLL, our fabulous show for children, is weaving it’s way across the country until 15th November. It’s left theatres full of giggling, excitable children (and adults!) in it’s wake – here’s a round-up of our favourite responses so far…

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Tarvin Community Centre to host Our Teacher’s a Troll (Chester Chronicle)

Family show in Ellesmere Port by writer of West End hit  Matilda (Chester Chronicle)

 

You can catch the show at the the egg, Bath from today and tomorrow, and our final date is Sunday 15th November at The North Wall, Oxford.

 

See you there! – Team PP x

Roundabout Round-Up

We can hardly believe it, but Roundabout opened it’s doors for the final time this year earlier in the month. What a whirlwind it’s been as our portable, plug-in-and-play auditorium has undertaken a whistle stop tour, taking it all across our green and pleasant land.

Audiences of all ages have been delighted by our wide-ranging repertoire and now we’re looking back at all the moments that made us laugh and smile.

Newbury

Salford

“A masterclass in storytelling that had every audience member lapping up every word…”★★★★★ The Reviews Hub

The Human Ear is a fine piece of drama” ★★★★ The Reviews Hub

“…gives us real food for thought.”★★★★ The Reviews Hub

Lincoln

Lungs is “clever, excellent, and powerful”” (The Linc)

Kendal

“Portable dome will be home to cutting-edge theatre” (Cumbria Live)

“Students’ actors get an inside ‘view'” (West Morland Gazette)

“ARTS: cutting edge theatre in a Roundabout way” (West Morland Gazette)

Margate

Stoke

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“​Pop-up theatre ‘the Roundabout’ set to wow crowds in Hanley” (Stoke Sentinel)

And you can listen to Hanna on BBC Radio Stoke here, at around the 2hour 15 minute mark.

We’ve been thrilled and humbled by the responses from everyone who has visited and taken in a show and we want to say a massive THANK YOU for coming came along. We’ve loved every minute! Now we’re off to plan next year’s Roundabout programme and we’re determined to knocks your socks off – see you then!

Team PP x

Santiago tour diary

The British Council invited our Artistic Director James to the EDEC conference in Santiago to met Chilean playwrights and see LUNGS make its Latin American debut. Here’s his tour diary.

Santiago from the top of San Cristobal.

Santiago from the top of San Cristobal

Monday 28 September
This morning I watched the sunrise on Orkney at the end of EVERY BRILLIANT THING’s Highlands and Islands tour. Tonight I’m at Heathrow heading for Santiago as a guest of The British Council at Encuentro de Dramaturgia Europea Contemporánea – a conference bringing together European and Chilean theatremakers to discuss contemporary European theatre and showcase plays from across Europe. I’ve never been to Latin America so this is exciting.

Tuesday 29 September
The approach to Santiago over the snow-peaked Andes is sensational. Chile’s capital lives in a big bowl of a valley stretching 50 miles across with mountains all around it. The blanket of smog makes it look like the crater of a volcano until the plane ducks underneath to reveal the sprawling city. My host Alex – the British Council’s international projects manager here in Chile – meets me at my hotel and whisks me straight to Santiago staple Emporio La Rosa, voted one of the top 10 ice cream parlours in the world for a quick introduction to Chilean theatre and a delicious introduction to Lúcuma ice cream.

The opening event of the conference sees critic Jürgen Berger give a talk on current trends in German theatre, which is translated into Spanish and then very kindly by Alex into English for my benefit. Everyone repairs to a beautiful roof garden for wine, canapés and speeches to officially open EDEC 15. Cameras flash as the culture minister turns up to make an address.

Ana López Montaner who is directing the reading of LUNGS on Saturday invites me to join her at The Clinic, a bar famous for political debates. Ana’s excellent English makes up for my shameful lack of Spanish and we set to discussing Duncan’s wonderful play.

This way for my workshop, apparently...

This way for my workshop, apparently…

Wednesday 30 September
I’m running workshops at the beautiful Universidad Católica – a huge old monastery with trees and fountains adorning courtyards and cloisters surrounded by lecture halls and art studios and rehearsal rooms. Playwright collective Interdram has invited playwrights from across Chile to attend the conference and meet delegates. It is fascinating to hear experiences from top to bottom of this huge and varied country (Chile is 2,672 miles long), and to discover the obstacles and anxieties writers face here are largely the same as at home. We focus on politics. What makes a play political? How do the personal and political coexist in great plays? It’s a fascinating discussion here where the scars of the Pinochet dictatorship are still so clearly seen. And it’s a tough workout for my heroic translator George who simultaneously translates the discussion as everyone contributes.

Thursday 1 October
Today my workshop focus is on LUNGS, or rather PULMONES as it is in its Spanish translation. The group has read the play and really love it. It’s exhilarating to be part of a passionate debate about a play in a different language and culture, sensing how well it translates and how relevant and poignant its themes are even on the other side of the world.

Ana invites me to see a production of Camus’ LOS JUSTOS. I don’t understand a word but I’m struck by the very European aesthetic – big, bold, physical, colourful and expressionistic storytelling. It’s staged at the home of Theatrocinema who I’m excited to meet. Their productions of THE MAN WHO FED BUTTERFLIES and HISTORIA DE AMORE have wowed the Edinburgh International Festival with ground-breaking fusions of film and live performance, so I’m thrilled to get a peek behind the scenes of their super cool converted cinema home.

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Friday 2 October
This morning I’m accompanying Alex at a meeting of the Arts Council and artistic directors of regional theatres. Once again I’m struck by the similarities in the discussions here and at home – a desire to see more work tour, a frustration at city hotspots attracting money and talent at the expense of the rest of the country.

Then we meet a group of playwrights who had been part of the Royal Court’s workshop programme in 2012, culminating with their plays being staged as readings in London in 2013. The experience had been transformative for them and it was great to get their take on the state of Chilean theatre. The common theme is the lack of producers, or producing infrastructure, which means writers often have to produce their own work. In fact, they quite often produce, direct and perform in their own work, and tear the tickets at the door.

This evening I’m at GAM, a magnificent modernist arts centre – Santiago’s answer to the Barbican – to see a dance piece EMOVERE which sees performers hooked up to sensors which trigger music to match their physical movement.

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Saturday 3 October
I have some spare time today so I climb San Cristobal hill which looms over central Santiago and offers panoramic views of the city from the huge white statue of the Virgin Mary at its peak. I push through the crowds and marvel at the colours and aromas in the city’s two vast markets La Vega and Mercado Central before tucking into delicious ceviche and chowder.

Then it’s back to GAM for the reading of PULMONES which Ana has staged beautifully with the two actors reading the play from iPads and each scene assuming different relationships with two chairs on an otherwise empty stage. There are around 100 people listening and they love it. I know the play so well that I can follow it even though I don’t understand word-by-word and it is thrilling to hear big laughs come at exactly the points I hoped and a silence descend on the room as the play bewitches its audience just as it does back home. Proof that great art is truly universal.

We repair to an incredible wine bar called Bocanariz that serves tasting glasses from its vast menu and toast Ana’s production and Duncan’s wonderful play.

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PULMONES on stage in Chile

Sunday 4 October
I spend my last morning in Santiago at the Museo de la Memoria y los Derechos Humanos, a museum dedicated to remembering the victims of the Pinochet regime. It’s a stark, powerful evocation of Chile’s dark recent history and a deeply moving memorial to the many who lost their lives.

It’s been an honour visiting this wonderful country and meeting so many talented, passionate playwrights. Muchos gracias particularly to Alex and Ana for being such generous hosts. Our hope is that this trip is just the beginning of an ongoing relationship between Paines Plough and theatremakers in Chile that will foster the exchange of ideas and see plays like LUNGS/PULMONES cross continents.

Now, I’ve got 48 hours to get to Bristol to see another Duncan Macmillan play. Here goes.

We’re off to… Stoke

Roundabout arrives at Appetite in Stoke-on-Trent today on the final stop of the year (sob!). Tonight’s performance of EVERY BRILLIANT THING is sold out, but fear not as we have a plethora of plays and specially programmed one-off events that you can still grab tickets for.

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For those of you coming to join us, our friends at Appetite have compiled a compendium of what to see, do, eat, and drink while you’re in town.

Must see

Stoke-on-Trent (otherwise called The Potteries) is having something of a ceramics renaissance at the mo, so whilst you’re here check out the British Ceramics Biennial, in full swing over in the grand surroundings of the former Spode Factory. A 5 minute walk from the train station, you’ll find the latest in cutting edge ceramic art.

In the City Centre, check out Entrepreneurs, an artist led shop with a public exhibition space upstairs. And just down from Roundabout (opposite the beautiful Bethesda Chapel) you’ll also stumble upon a fauno-tastic new mural (below) by graffiti artist Faunographic, commissioned by Entrepreneurs for Appetite’s Big Feast.

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Also in Piccadilly there’s contemporary art gallery Airspace currently featuring the exhibition ‘Icon’.

If you have time why not stroll along the canal to Burslem and have cup a tea in the recently renovated Middleport Pottery, the home of the world-famous Burleigh, soon to be seen on BBC’s The Great British Pottery Thrown Down, or take a factory tour at The Emma Bridgewater Factory.

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If you’re feeling historical why not pop your head into the famous Staffordshire Hoard exhibition at The Potteries Museum & Art Gallery. If you’re with kids or fancy a splash around, on Festival Park just outside the City Centre, you’ll also find the epic Waterworld.

Where to stay

The Quality Hotel is in stumbling distance of the City Centre and there’s also the Great Western Moat House Hotel just a little further away.

Where to eat

In Hanley head to Cafe Zest, café by day and bistro by night or The Exchange, which does burgers and typical pub fare. There’s also Roberto’s for Italian, The Church Bar and Restaurant for upscale British food and Peter’s Tavern for authentic Czech food.A little outside the City Centre there’s also the fantastic Med Bar for authentic Italian.

While you’re here of course don’t miss the world famous Staffordshire oatcake! For the ultimate hot crispy oatcake head to the Oatie Mostons stand, 2 mins from Roundabout, and ask for a cheese and bacon. Warning: only get the large if you’re feeling ravenous!

Where to drink

Stoke’s home to some great pubs. Why not try The Holy Inadequate in Etruria or The Bulls Head in Burslem, the brewery tap of the local Titanic Brewery.

There’s also the reputedly haunted The Leopard in Burslem if you’re feeling spooky or the cosy surroundings of The Glebe in Stoke just 5 mins from the station.

In Hanley there’s the recently opened Bottle Craft which has a tasting room, The Exchange bar and the historic Coachmakers Arms. If you like your ale real, The Hop Inn in Newcastle is 2015 winner of Potteries CAMRA pub of the year.

Where to get coffee

Try tsp. for great coffee, cupcakes and nice surroundings down in Piccadilly in Hanley, also featuring murals by local artist Eight.bit. There’s also the Spitfire Café at the Mitchell Arts Centre a little further down the road and Blondies Twisted Tea Room, in the centre of Hanley. Hang out at The Bread in Common café at the British Ceramics Biennial, run by community arts company B-Arts, it’s a great place to chill and munch on some fantastic bread made in their unique bread oven.

We’re off to… Kendal

Today our ROUNDABOUT arrives in Kendal with THE HUMAN EAR, LUNGS, OUR TEACHER’S A TROLL and EVERY BRILLIANT THING in tow. The team are super excited to be visiting so we asked our friends at the Brewery Arts Centre for their list of brilliant things to see and do while we’re around…

WHERE TO STAY

The Castle Green Hotel, Castle Green Lane, Kendal, LA9 6RG.© www.stevenbarber.com

Kendal’s only 4 star hotel. The grounds are beautiful and it includes a separate real ale pub and fine dining restaurant so you can relax with a pint or do something a little special. There’s something for everyone.

WHERE TO EAT

The Brewery, Grainstore Restaurant, 122a Highgate, Kendal, LA9 4HE.Grainstore Restaurant

Serving a Mediterranean menu featuring tasty tapas menu with a quirky twist using local ingredients and pizzas. Situated in the Brewery complex, it’s a great spot to enjoy a bite before the show.

WHERE TO DRINK

The Brewery, Vats Bar, 122a Highgate, Kendal, LA9 4HE.Vats Bar

Settle into one of the Brewery’s original brewing Vats and enjoy a fantastic selection of local real ales, beers and wines. Super cosy and casual it’s a great spot to relax and unwind.

WHERE TO GET COFFEE

The Brewery, Warehouse Cafe, 122a Highgate, Kendal, LA9 4HE.Warehouse CAfe

Shabby chic café featuring a homemade cakes, pies, crepes, snacks and local Farrer’s coffees and teas. Treat yourself! There’s also free WiFi available so you can Instagram your treats and make your friends jealous.

WHERE TO HANG OUT

Abbot Hall Park.

Lucky for us, it’s just across the road from the Brewery. A lovely green open space by the River Kent surrounded by trees and historic buildings and with a nearby children’s playground. Ideal if you’re bringing the little ‘uns to see OUR TEACHER’S A TROLL.

MUST SEE

You can’t miss Kendal Castle.

Standing atop a hill overlooking the town, it’s a spectacular ruined castle and the reputed home of Catherine Parr (one of Henry the VIII’s wives). The perfect place for panoramic views of Kendal and the surrounding fells.

If you’re coming to see a show, why don’t you check out some of these spots too?

Now to find some mint cake to take back to PPHQ…

ROUNDABOUT Reviews and Responses

ROUNDABOUT is currently weaving its way across the country and this week we’ve popped up in Lincoln where our partners and good friends LPAC have programmed a fantastic festival of local talent alongside performances of LUNGS, THE HUMAN EAR and OUR TEACHER’S A TROLL.

We’ve been absolutely bowled over by your responses to ROUNDABOUT and our shows so a big hearty thank you to everyone who has already joined us and come to see a show – we’ve loved meeting you and keeping an eye on our Twitter to see what you’ve been saying! Here’s a little snapshot of our favourite responses…

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#RoundaboutPP is, in my opinion, exactly how theatre should be. A small space filled with nothing but great actors, acting their socks off.” (@SarahJCullum)

“I love that #roundaboutpp is able to go into communities without theatres. Vital work. @painesplough“(@shakespeareanLK)

And here’s just a selection of what Edinburgh’s critics and audiences have had to say about the shows…

OUR TEACHER’S A TROLL

“Fast paced and incredibly slick.” ★★★★★ (The Public Reviews)

“Thanks for a great hour of laughter and fun @painesplough #OurTeachersATroll fantastic venue #RoundaboutPP @edfringe” (@jcnewton90)

“Infectious from the off.” ★★★★ (BroadwayBaby)

THE HUMAN EAR

 “Stunning to watch.”★★★★★ (BroadwayBaby)

#TheHumanEar at #RoundaboutPP was unsettling and complex, yet another @painesplough success. @Reese_Williams absolutely riveting as always” (@Lisa_Varty)

“Reverberates quietly long after it’s over.”★★★★ (The Guardian)

“Dazzling technical tour-de-force… astonishing.” ★★★★ (The Scotsman)  

LUNGS

“Simple yet profoundly moving… it is one of the best plays I have seen all year.”★★★★★ (West End Frame)

“Highlight from yesterday had to be #LungsPlay at #RoundaboutPP @painesplough Hilarious and heartbreaking in the same breath!” (@michaelwoodhall)

“What a beautiful creation @painesplough #lungsplay thank you. Think you just broke my heart @edfringe Wonderful performances x” (@AngharadLee)

EVERY BRILLIANT THING

“Powerfully, stunningly, joyfully uplifting – you’ll be rushing off to start your own list too.” ★★★★★ (The Skinny)

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“the new @painesplough roundabout venue @Summerhallery is awesome and #everybrilliantthing defies description. MUST SEE!” (@markagorman)

You can catch ROUNDABOUT on the road until October 18th at the Brewery Arts Centre in Kendal, Theatre Royal Margate and Appetite, Stoke.

For more information and to buy tickets, click here.

See you in ROUNDABOUT soon.

Roundabout Prototype FAQs

Hello everyone,

We’re thrilled our Prototype giveaway has fired so many imaginations and prompted so many expressions of interest. We’ve been overwhelmed by the response. So overwhelmed in fact that we’re going to struggle to respond to you all individually straight away, such is the volume of emails.

So for now we thought we’d direct you here so we could answer the most common questions in one go, we hope you don’t mind.

How much does it cost?

Nothing. We don’t want any money for it. We’re giving it away free to good homes. But there will be associated costs…

What are the associated costs?

All the following costs are estimates only, offered as a guide. You will need to cover the load from our store into a 40ft trailer (£400) and transport (£400 – £800 depending on where you are in the UK). You will need to hire a specialist crew of eight at £12-£15 pp p/h for the fit up at your venue plus our production manager (£500 + travel, accommodation and per diems) to include transport booking, organising truck load, assessing fit up site, updating relevant health & safety documentation, advising on crew and one day fit up. You will need a specialist carpenter present at the fit up (£250) and a hired skip (£200). Plus contingency.

Do I need a license?

The prototype is classified as seating so as long as it sits within a venue with an existing entertainment license there should be no further costs associated with licensing. If you do not have an entertainment license you will need to apply for one via your local council and there will be costs associated with that.

What are the dimensions of the structure?

12m diameter, 5m high. You will require a further 1.2m around the structure as a legal requirement for emergency exit routes. So you will need a minimum space of 14.2m² and clearance of 6m to the grid. The performance space is 4.6m diameter.

Do you have technical drawings?

Yes, you can download them here: http://www.painesplough.com/about-us/get-involved

Use the ‘Roundabout Prototype Plans’ link from the ‘Links and Downloads’ section on the right of the page.

How much space does it take up when stored?

It fills a 40ft trailer to the rim.

How much does it cost to store?

It’s about £75 per week to store it on a 40ft trailer.

How much does it weigh?

Approximately three tonnes.

Is it waterproof?

No. So it will need to sit inside an existing structure or at very least a tent.

Why are we doing this?

We now have our state-of-the-art, fully portable, pop-up Roundabout out on the road. So we no longer have a use for the prototype which we built back in 2011 to test the concept and the architecture before building the real thing. But the prototype remains a beautifully designed, highly engineered auditorium. We want it to go to good homes so it can be enjoyed by audiences and artists. We were only able to build Roundabout thanks to the belief and generous financial support of many wonderful Trusts & Foundations and individuals so we want to pass on some of that goodwill by lending the prototype to people who can give it a future life to benefit more people.

What else will I need?

You’ll have to provide proof of public liability insurance for the period of time the prototype is in your custody. We’ll insure the installation and removal, either end.

How long can I have it for?

If you could use the auditorium for part of the year, perhaps others could use it the rest of the time, and you could share the costs between you. It’s also possible you could have the auditorium for a couple of years or take it off our hands altogether. Once we’ve been in touch with everyone individually, we’ll work out if there is obvious home or convenient pattern amongst many interested parties and go from there.

What happens next?

If you’re still interested having read all the above and you have a concrete plan for the prototype and the means to absorb the associated costs, please could you send us an expression of interest that includes the following information:

– Your name

– Your organisation

– Where you’re based

– What’s your plan for the prototype (a really brief outline, just the salient points, we don’t want to make this hard work)?

– Who will benefit?

– How long you want it for and when you want it.

– How you’re meeting the associated costs.

– Anything else important you might want to tell us.

Please send your expression of interest to office@painesplough.com with Prototype as the subject line by 4pm on Friday 2 October 2015.

How will we decide who gets it?

Oh gosh, we’re not sure yet, we’ve been rather taken aback by the level of interest. We’ll gather all the expressions of interest on Friday 2 October and we’ll try to make a decision by Friday 16 October. It’s not a competition – we’d love all of you to have it, you’d all make great use of it. But as there’s only one prototype we’ll just have to bite the bullet and choose its new home(s) on the basis of where we think it can make the biggest difference or benefit people the most. It will be a really hard decision, but we’ll try to make it a good decision.

Thanks for reading. And thanks so much for your interest. We’re so excited the prototype will have new life.

More questions? If there’s anything we haven’t answered here please email office@painesplough.com with ‘Prototype question’ as the subject line and we’ll try to get back to you as soon as possible.